Ürünler

Red Komodo 6K

SENSOR TYPEKOMODO® 19.9 MP SUPER 35MM GLOBAL SHUTTER CMOS
EFFECTIVE PIXELS6144 X 3240
SENSOR SIZE27.03 MM X 14.26 MM (DIAGONAL: 30.56MM)
DYNAMIC RANGE16+ STOPS
MOUNT TYPEACCEPTS CANON RF MOUNT-BASED LENS ADAPTORS FOR DIVERSE LENS CHOICES
SUPPORTS CANON EF WITH FULL ELECTRONIC COMMUNICATION VIA COMPATIBLE CANON RF MOUNT ADAPTERS, AND SUPPORTS MECHANICALLY OPERATED RF LENSES (ELECTRONIC CONTROL OF CANON RF LENSES NOT SUPPORTED AT THIS TIME) [1]
MAX DATA RATESUP TO 280 MB/S USING RED PRO CFAST OR OTHER QUALIFIED CFAST 2.0 MEDIA CARDS
REDCODE® RAW MAX FRAME RATES40 FPS AT 6K 17:9 (6144 X 3240)
50 FPS AT 6K 2.4:1 (6144 X 2592)
48 FPS AT 5K 17:9 (5120 X 2700)
60 FPS AT 4K 17:9 (4096 X 2160)
120 FPS AT 2K 17:9 (2048 X 1080)
PLAYBACK FRAME RATES (PROJECT TIME BASE)23.98, 24, 25, 29.97, 30, 50, 59.94, 60 FPS, ALL RESOLUTIONS
BEST AVAILABLE REDCODE® SETTINGSREDCODE HQ, MQ AND LQ AT 6K 17:9 (6144 X 3240) UP TO 40 FPS
REDCODE HQ, MQ AND LQ AT 4K 17:9 (4096 X 2160) UP TO 60 FPS
REDCODE HQ, MQ AND LQ AT 2K 17:9 (2048 X 1080) UP TO 120 FPS
REDCODE® RAW
ACQUISITION FORMATS2
6K 17:9 (6144 X 3240), 2.4:1 AND 16:9
5K 17:9 (5120 X 2700)
4K 17:9 (4096 X 2160)
2K 17:9 (2048 X 1080)
APPLE PRORES4K (4096 × 2160) AT PRORES 422 HQ AND PRORES 422 UP TO 60 FPS
2K (2048 × 1080) AT PRORES 422 HQ AND PRORES 422 UP TO 120 FPS
CONSTRUCTIONALUMINUM ALLOY
WEIGHT2.10 LBS (WITHOUT BODY CAP AND CFAST CARD)
BATTERY TYPETWO SLOTS FOR BP-9XX SERIES BATTERIES
DC POWER INPUT+7 TO +17 V DC VIA THE INTEGRATED 2-PIN DC-IN PORT
OPERATING TEMPERATURE0°C TO 40°C (32°F TO 104°F)
STORAGE TEMPERATURE–20°C TO 50°C (–4°F TO 122°F)
STORAGE RELATIVE HUMIDITY0% TO 85% NON-CONDENSING
COLOR MANAGEMENTIMAGE PROCESSING PIPELINE 2 (IPP2)
SUPPORTS 33×33×33 3D LUTS
SUPPORTS IMPORT OF CDLS
AUDIOINTEGRATED DUAL CHANNEL DIGITAL MONO MICROPHONES, UNCOMPRESSED, 24-BIT 48 KHZ
ADDITIONAL DUAL CHANNEL VIA INTEGRATED 3.5MM AUDIO JACK, UNCOMPRESSED, 24-BIT 48 KHZ
REMOTE CONTROLWIFI FOR CAMERA CONTROL VIA INTERCHANGEABLE ANTENNA WITH SMA CONNECTION
GENLOCK, TIMECODE-IN, GPIO AND CTRL (RS232) VIA THE INTEGRATED 9-PIN EXT PORT
WIRED CONTROL VIA KOMODO LINK ADAPTOR, USING USB-C OR GIGABIT ETHERNET (COMPATIBLE USB-C TO ETHERNET ADAPTER1 REQUIRED) ALLOWING CAMERA CONTROL AND LIVE MJPEG PREVIEW VIDEO FEED
MONITOR OUTPUTSINTEGRATED 12G-SDI WITH 6G-SDI, 3G-SDI AND 1.5G-SDI MODES
12G-SDI: UP TO 4096 X 2160 4:2:2 FOR 60P
6G-SDI: UP TO 4096 X 2160 4:2:2 FOR 30P
3G-SDI: UP TO 2048 X 1080 4:2:2 FOR 60P
1.5G-SDI: UP TO 2048 X 1080 4:2:2 FOR 30P, 24P
SMPTE TIMECODE, HANC METADATA, 24-BIT 48 KHZ AUDIO
MONITOR OPTIONSINTEGRATED 2.9″ 1440X1440 TOUCHSCREEN LCD WITH PREVIEW AND CAMERA CONTROL
WIRELESS LIVE PREVIEW VIDEO FEED VIA 2.4GHZ/5GHZ WIFI FOR FRAMING
RED CONTROLACCESS FULL CAMERA CONTROLS AND LIVE PREVIEW FROM IOS OR ANDROID(COMING SOON) DEVICES.
AVAILABLE FROM THE APPLE APP STORE AND GOOGLE PLAY STORE. RED CONTROL WORKS WIRELESSLY OR WIRED VIA THE KOMODO LINK ADAPTOR (SOLD SEPARATELY).

ALEXA MİNİ LF

Popüler Alexa MINI modelinin kompakt boyutu ve düşük ağırlığını Large Format Alexa LF sensörü ile birleştiren ALEXA Mini LF; ARRI’ nin Large-Format kamera sistemine heyecan verici yeni yaratıcı olanaklar getiriyor. , LPL lens yuvası, PL-LPL adaptörü ve Lens Veri Sistemi LDS-2’den oluşuyor.

Geniş Formatta En iyi Görüntü Kalitesi

  • Sürükleyici large-format görünüm
  • Yüksek kullanılabilir hassasiyetli çekimlerde düşük resim gürültüsü
  • Başka bir prodüksüyon kamerasında olmayan en yüksek dinamik aralık
  • Arri renk biliminin sağladığı doğal cilt tonları, kolay renk düzeltme ve pürüzsüz görüntü efektleri
  • High Dynamic Range (HDR) ve Wide Color Gamut (WCG) görüntüler için mükemmel 

Yeni Codex Compact Drive’a Dahili Kayıt

  • Sıkıştırılmamış ve şifresiz MXF/ ARRIRAW
  • Hızlı ve verimli MXF / Apple ProRes
  • Yeni Codex Compact Drive 1TB : Küçük, Sağlam ve düşük maliyetli

Mükemmel sistem uyumluluğu

  • ALEXA LF ile aynı sensör ve kayıt formatları
  • LPL ve PL mount, Super 35 ve Full Frame lenslerle uyumlu
  • Tüm anamorfik de-squeeze oranlarını destekler
  • Hemen hemen tüm ALEXA Mini aksesuarları ile uyumlu
  • ARRI ve Cmotion kablosuz lens motor kontrol sistemleri ile uyumlu
  • 12 V ve 24 V kamera üstüne takılan bataryalarla çalışır (~65 W güç çekimi)

Ek Yeni Özellikler

  • Üç adet dahili, motorlu large-format FSND filtre: ND 0.6, 1.2 ve 1.8
  • Yeni düzenlenmiş 12 V ve 24 V aksesuar güç çıkışları
  • Yeni SYNC IN ve geliştirilmiş ses giriş çıkış konnektörleri
  • İki dahili mikrofon
  • Ek harici WiFi anteni

SONY FX9 PL MOUNT

SONY FX9 6K FULL-FRAME VİDEO KAMERA 

Hızlı Hibrit AF, Çift Tabanlı ISO ve S-Cinetone™ renk bilimi sunan Sony’nin Full Frame 6K sensörlü kamerası FX9. Full Frame yaratıcılık
Son derece yüksek çözünürlüklü Full Frame sensörün yüksek hızda örneklemesinin yaratıcılığınızı konuşturabilmeniz için sağladığı özgürlükle muhteşem 4K görüntüler oluşturun. Düşük alan derinliği ve gerçek sinema görünümü sunan etkileyici bokeh ile sahnenin her ayrıntısını yakalayın. 15+ duraklı dinamik aralık ve Çift Tabanlı ISO, kusursuz bir renk paletiyle, ince gölge ayrıntılarından parlak vurgulara kadar her nüansı yakalamanızı sağlar. 

SENSÖR

Sensör Boyutu35.7 x 18.8 mm (Full-Frame)
Sensör TipiCMOS
Sensör ÇözünürlüğüEfektif: 3840 x 2160
ISO800 ile 4000 (Native)
Gain-3 ile 18 dB
Dinamik Aralık15 Stop
Signal-to-Noise Ratio57 dB

KAMERA

Lens MountSony E-Mount- PL Mount Adapter
Shutter Speed1/1 to 1/8000 sec
Dahili ND Filtre4 ile 128 Stop Elektronik ND Filtre
Dahili Mikrofon TipiMono
Kayıt Üniteleri2 x XQD Kart Slotu
1 x SDXC/Memory Stick PRO Duo Hybrid Kart Slotu

DAHİLİ KAYIT

Kayıt ModlarıXAVC-I 4:2:2 10-Bit:
3840 x 2160p at 23.98/25/29.97/50/59.94 fps (240 to 600 Mb/s) 
1920 x 1080p at 23.98/25/29.97/50/59.94/100/120 fps (89 to 222 Mb/s) 
1920 x 1080i at 50/59.94 fps (112 Mb/s) 
XAVC-L 4:2:2 10-Bit:
3840 x 2160p at 23.98/25/29.97/50/59.94 fps (100 to 150 Mb/s) 
1920 x 1080p at 25/29.97/50/59.94/100/120 fps (25 to 50 Mb/s) 
1920 x 1080i at 50/59.94 fps (50 Mb/s) 
MPEG HD422 4:2:2 10-Bit:
1920 x 1080p at 23.98/25/29.97 fps (50 Mb/s) 
1920 x 1080i at 25/50/59.94 fps (50 Mb/s) 
XAVC Proxy 4:2:0 10-Bit:
1920 x 1080p (9 Mb/s) 
1280 x 720p (6 to 9 Mb/s) 
640 x 360p (3 Mb/s) 
Gamma CurveSony S-Log 3
Ses KaydıXAVC: 4-Channel 24-Bit 48 kHz LPCM Audio
Proxy: 2-Channel AAC Audio

ARAYÜZ

Video Bağlantıları1 x BNC (12G-SDI) Output
1 x BNC (3G-SDI) Output
1 x HDMI (HDMI 2.0) Output
Ses Bağlantıları2 x 3-Pin XLR Mic/Line Level (+48 V Phantom Power) Input
1 x 1/8″ / 3.5 mm Stereo Headphone Output
Diğer I/O1 x BNC Genlock Data Input
1 x BNC Timecode Data Input/Output
1 x 2.5 mm LANC Control
1 x USB Micro-B USB 3.1 Gen 1 Data
Wireless Arayüz2.4 GHz, 5 GHz Wi-Fi

EVF

EVFDahili
EVF Ekran TipiLCD
Ekran Boyutu3.5″
EVF Çözünürlüğü2,760,000 Dots

GÜÇ

Batarya TipiSony BP-U Serisi
Güç Girişi1 x Barrel (19.5 VDC) Input
Güç Tüketimi35.2 W

ÇEVRE FAKTÖRLERİ

Çalışma Sıcaklığı32 ile 104°F / 0 ile 40°C
Muhafaza Sıcaklığı-4 ile 140°F / -20 ile 60°C

GENEL

Aksesuar Bağlantısı1 x Multi-Interface Shoe
1 x 1/4″-20 Female
Ölçüler5.75 x 5.61 x 9.02″ / 146 x 142.5 x 229 mm 
Ağırlık4.4 lb / 2 kg

PHANTOM FLEX 4K

ResolutionFPS
4096 x 2304938
4096 x 21601,000
2048 x 11521,900
1920 x 1080*1,977
1280 x 720*2,932

*The Flex4K records at 4096 and 2048 width only. These are cropped resolutions that do not affect changes in frame rate.Common resolutions and frame-rates, other resolutions available.Short Description

  • The Phantom Flex4K digital cinema camera records up to 1,000 fps at 4K resolution, provides exceptional image quality and offers production-friendly features like auxiliary power outputs and a full-featured on-camera control interface.

Throughput/Speed

  • 9 Gpx/second.
  • Max speed at full resolution of 4096 x 2304 is 938 fps
  • At 4096 x 2160 max speed is 1000 fps
  • At 2048 x 1080 max speed is 1977 fps

Sensor Specifications

  • CMOS sensor
  • 4096 x 2304 pixels
  • 6.75 µm pixel size
  • 27.6 mm x 15.5 mm
  • Super-35mm; 31.7mm diagonal
  • Super-16mm format at 1920 x 1080
  • Base ISO Color 200D; 250T
  • Exposure index range 250-1250
  • Recommended EI 800-1000 Color
  • Base ISO Monochrome 800D; 2000T
  • 12-bit

Exposure

  • Exposure time (shutter speed): 5μs to 1/frame rate
  • Can be set in degrees or microseconds (μs)
  • 1-millisecond progressive scan (aka rolling) shutter

Memory

  • 64 or 128GB high-speed internal RAM
  • CineMag V (2TB, 8TB), CineMag IV, CineMag IV PRO for non-volatile storage (1TB, 2TB)

Record Times

  • 5 seconds at 1000 fps, 4096 x 2160 resolution and into 64 GB of internal memory
  • 2TB CineMag IV holds 2 hours of 4K Cine raw playback at 24p
  • 2TB CineMag IV holds over 4 hours of 4K ProRes HQ playback at 30p

Special Features

  • Three main 3G HD-SDI outputs, supporting dual-link 4K video and simultaneous live monitoring / playback
  • HD-SDI can switch between Rec709 and Log
  • Supports both HD-SDI and component based viewfinders
  • Standard internal mechanical shutter for automatic/remote Current Session Reference (CSR)
  • Secondary IP address
  • Segment memory for multi-cine acquisition
  • Field-based firmware upgrade capable
  • Several mounting holes for accessories on camera body

Triggering

  • Programmable trigger location (pre/post trigger recording)
  • Trigger from camera body or via software
  • Hardware trigger via Sync port
  • Trigger inputs also available on 3-pin accessory ports

Timing and Synchronization

  • Frame synchronization to internal or external clock (FSYNC)
  • Genlock sync available through HD-SDI return signal
  • IRIG in/out (modulated or unmodulated)
  • SMPTE time code support

Signaling

  • 4x 3G HD-SDI output BNCs (one reserved for viewfinder)
  • 1x 3G HD-SDI return BNC, supports Genlock
  • Sync connector for Trigger, time code, F-sync, AES/EBU Audio (via MiniBob or Capture cable)
  • Remote (RCU) port
  • Component viewfinder port
  • Four Aux ports for power and trigger
  • (2x 12VDC and 2x 24V)

Connectivity

  • Gb Ethernet for both control and data
  • 10Gb Ethernet on CineStation IV

Camera Control

  • Phantom Camera Control (PCC)
  • On-Camera Controls
  • Remote Control Unit (RCU), connects direct to camera
  • SDK available

Video Out

  • Three main 3G HD-SDI, supports dual-link 4K video or 3x scaled 1080p outputs.
  • Additional HD-SDI reserved for viewfinder
  • Component viewfinder port
  • Video outputs switchable between Rec709 & Log

Lensing

  • PL-mount standard
  • Nikon F/G mount optional
  • Canon EOS optional

Video Processing

  • Brightness
  • Gain
  • Gamma
  • Saturation
  • Color temperature
  • Color matrix
  • Tone curve
  • Log mode
  • Image flip and rotate in PCC
  • Crop & Scale

Motion Analysis

  • Basic measurements via Phantom Application:
  • Distance
  • Speed
  • Acceleration
  • Angles and Angular Speed
  • Manual and Automatic point collection for target tracking
  • Compatible with 3rd party solutions

Supported File Formats

  • Cine raw and Apple ProRes 422 HQ CineMag recording
  • PCC Cine file conversion to: Cine Compressed, Cine RAW, AVI, h.264 mp4, Apple ProRes .mov, Multipage TIFF, MXF PAL, MXF NTSC, Uncompressed QuickTime, Windows BMP, OS/2 BMP, PCX, TGA, TIFF, LEAD, JPEG, JTIF, RAW, DNG, DPX

Power

  • 100 – 240 VAC, 280 Watt power supply included
  • Optional 26V Hawk-Woods and 12V V-Lock Anton-Bauer backs are available for battery power

Mechanical Specifications

  • Size (without lens or viewfinder): 12 x 6 x 8 in. (L x W x H); 30.5 x 35.5 x 20.3 cm.
  • Weight (without lens or viewfinder): 13 lbs; 5.9 kg

Environmental Specifications

  • Temperature: -20° – +50° C

APIs

  • Phantom SDK

Ships Standard With

  • Power supply
  • Ethernet cable
  • Phantom PCC software
  • 1 license of Mac-based Glue Tools Séance and Cine Toolkit for download and file conversion
  • Getting Started guide
  • Case

Popular Accessories

  • CineMag V
  • CineStation IV
  • Riser for Arri baseplates
  • Spare Cable Kit
  • Battery Mounts
  • Viewfinder

RED HELIUM DSMC2 8K

SENSOR TYPEHELIUM 35.4 Megapixel CMOS
EFFECTIVE PIXELS8192 × 4320
SENSOR SIZE29.90 mm × 15.77 mm (Diagonal: 33.80 mm)
DYNAMIC RANGE16.5+ stops
MAX DATA RATESUp to 300 MB/s using RED MINI-MAG (480GB & 960GB)
Up to 225 MB/s using RED MINI-MAG (120GB & 240GB)
MAX FRAME RATES60 fps at 8K Full Format (8192 × 4320), 75 fps at 8K 2.4:1 (8192 × 3456)
60 fps at 7K Full Format (7168 × 3780), 75 fps at 7K 2.4:1 (7168 × 3024)
75 fps at 6K Full Format (6144 × 3240), 100 fps at 6K 2.4:1 (6144 × 2592)
96 fps at 5K Full Format (5120 × 2700), 120 fps at 5K 2.4:1 (5120 × 2160)
120 fps at 4K Full Format (4096 × 2160), 150 fps at 4K 2.4:1 (4096 × 1728)
150 fps at 3K Full Format (3072 × 1620), 200 fps at 3K 2.4:1 (3072 × 1296)
240 fps at 2K Full Format (2048 × 1080), 300 fps at 2K 2.4:1 (2048 × 864)
PLAYBACK FRAME RATES (PROJECT TIMEBASE)23.98, 24, 25, 29.97, 47.95, 48, 50, 59.94, 60 fps, all resolutions
REDCODE SETTINGS RANGE FROM 2:1 UP TO 22:15:1 REDCODE for 8K Full Format (8192 × 4320) at 24 fps
12:1 REDCODE for 8K Full Format (8192 × 4320) at 60 fps
2:1 REDCODE for 4K Full Format (4096 × 2160) at 24 fps
3:1 REDCODE for 4K Full Format (4096 × 2160) at 60 fps
REDCODE RAW ACQUISITION FORMATS8K Full Format (8192 × 4320), 2:1, 2.4:1, 16:9, 14:9, 8:9, 3:2, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x
7K Full Format (7168 × 3780), 2:1, 2.4:1, 16:9, 8:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
6K Full Format (6144 × 3240), 2:1, 2.4:1, 16:9, 8:9, 3:2, 4:3, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x
5K Full Format (5120 × 2700), 2:1, 2.4:1, 16:9, 8:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
4K Full Format (4096 × 2160), 2:1, 2.4:1, 16:9, 8:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, 1:1, and Ana 2x, 1.3x
3K Full Format (3072 × 1620), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
2K Full Format (2048 × 1080), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
APPLE PRORESProRes 422 HQ, ProRes 422 and ProRes 422 LT at 4K (4096 × 2160) up to 30 fps
ProRes 4444 XQ and ProRes 4444 at 2K (2048 × 1080) up to 120 fps
ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 2K (2048 × 1080) up to 120 fps
AVID CODECSDNxHR HQX at 4K (4096 × 2160) 12-bit up to 30 fps
DNxHR HQ, SQ and LB at 4K (4096 × 2160) 8-bit up to 30 fps 
DNxHR 444 at 2K (2048 × 1080) 12-bit up to 120 fps
DNxHD 444 and HQX (1920 × 1080) 10-bit up to 120 fps
DNxHD HQ, SQ and LB (1920 × 1080) 8-bit up to 120 fps 
CONSTRUCTIONAluminum Alloy
WEIGHT3.35 lbs (BRAIN with Integrated Media Bay)
OPERATING TEMPERATURE0°C to 40°C (32°F to 104°F)
STORAGE TEMPERATURE–20°C to 50°C (–4°F to 122°F)
RELATIVE HUMIDITY0% to 85% non-condensing
COLOR MANAGEMENTSupports 33×33×33, 32×32×32, 26×26×26, and 17×17×17 3D LUTs
Variable number of 3D LUT outputs with DSMC2 expander module
User programmable shaper 1D LUTs
Tetrahedral interpolation, 16-bit processing
AUDIOIntegrated dual channel digital stereo microphones, uncompressed, 24-bit 48 kHz Optional 2 additional channels with DSMC2 expander module, uncompressed, 24-bit 48 kHz
REMOTE CONTROLIntegrated R.C.P. WiFi antenna
Ethernet, RS232, and GPI Trigger with DSMC2 expander module
MONITOR OUTPUTS3G-SDI (HD-SDI) and HDMI with DSMC2 expander module
1080p RGB or 4:2:2, 720p RGB or 4:2:2
480p RGB or 4:2:2 (HDMI only)
SMPTE Timecode, HANC Metadata, 24-bit 48 kHz Audio
MONITOR OPTIONSDSMC2® Touch 7.0″ Ultra-Brite LCD (Direct Mount), DSMC2® RED Touch 4.7″ LCD, DSMC2® RED Touch 7.0″ LCD and DSMC2® RED EVF (OLED) with cable-free connection.
RED Touch 9.0″ LCD, RED Touch 7.0″ LCD, RED Touch 5.0″ LCD, RED PRO 7″ LCD, DSMC2 Touch 7.0″ Ultra-Brite LCD, BOMB EVF (OLED) and BOMB EVF (LCOS) compatible with DSMC2 LCD/EVF Adaptor A or DSMC2 LCD/EVF Adaptor D, and LCD/EVF cable.
REDCINE-X PRO DELIVERY FORMATS4K: DPX, TIFF, OpenEXR (.RED via RRencode plugin)
2K: DPX, TIFF, OpenEXR (.RED via RRencode plugin)
1080p RGB 4:2:2, 720p 4:2:2 : QuickTime, JPEG, AVID AAF, MXF
1080p 4:2:0, 720p 4:2:0 : H.264, .MP4
VIDEO EDITING SOFTWARE COMPATIBILITYAdobe Premiere Pro, AVID Media Composer, DaVinci Resolve, Edius Pro, Final Cut Pro, Vegas Pro

RED RANGER HELIUM

SENSOR TYPEHELIUM 35.4 Megapixel CMOS
EFFECTIVE PIXELS8192 × 4320
SENSOR SIZE29.90 mm × 15.77 mm (Diagonal: 33.80 mm)
DYNAMIC RANGE16.5+ stops
MAX DATA RATESUp to 300 MB/s using RED MINI-MAG (480GB & 960GB)
Up to 225 MB/s using RED MINI-MAG (120GB & 240GB)
MAX FRAME RATES60 fps at 8K Full Format (8192 × 4320), 75 fps at 8K 2.4:1 (8192 × 3456)
60 fps at 7K Full Format (7168 × 3780), 75 fps at 7K 2.4:1 (7168 × 3024)
75 fps at 6K Full Format (6144 × 3240), 100 fps at 6K 2.4:1 (6144 × 2592)
96 fps at 5K Full Format (5120 × 2700), 120 fps at 5K 2.4:1 (5120 × 2160)
120 fps at 4K Full Format (4096 × 2160), 150 fps at 4K 2.4:1 (4096 × 1728)
150 fps at 3K Full Format (3072 × 1620), 200 fps at 3K 2.4:1 (3072 × 1296)
240 fps at 2K Full Format (2048 × 1080), 300 fps at 2K 2.4:1 (2048 × 864)
PLAYBACK FRAME RATES (PROJECT TIMEBASE)23.98, 24, 25, 29.97, 47.95, 48, 50, 59.94, 60 fps, all resolutions
REDCODE SETTINGS RANGE FROM 2:1 UP TO 22:15:1 REDCODE for 8K Full Format (8192 × 4320) at 24 fps
12:1 REDCODE for 8K Full Format (8192 × 4320) at 60 fps
2:1 REDCODE for 4K Full Format (4096 × 2160) at 24 fps
3:1 REDCODE for 4K Full Format (4096 × 2160) at 60 fps
REDCODE RAW ACQUISITION FORMATS8K Full Format (8192 × 4320), 2:1, 2.4:1, 16:9, 14:9, 8:9, 3:2, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x
7K Full Format (7168 × 3780), 2:1, 2.4:1, 16:9, 8:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
6K Full Format (6144 × 3240), 2:1, 2.4:1, 16:9, 8:9, 3:2, 4:3, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x
5K Full Format (5120 × 2700), 2:1, 2.4:1, 16:9, 8:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
4K Full Format (4096 × 2160), 2:1, 2.4:1, 16:9, 8:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, 1:1, and Ana 2x, 1.3x
3K Full Format (3072 × 1620), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
2K Full Format (2048 × 1080), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
APPLE PRORESProRes 422 HQ, ProRes 422 and ProRes 422 LT at 4K (4096 × 2160) up to 30 fps
ProRes 4444 XQ and ProRes 4444 at 2K (2048 × 1080) up to 120 fps
ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 2K (2048 × 1080) up to 120 fps
AVID CODECSDNxHR HQX at 4K (4096 × 2160) 12-bit up to 30 fps
DNxHR HQ, SQ and LB at 4K (4096 × 2160) 8-bit up to 30 fps 
DNxHR 444 at 2K (2048 × 1080) 12-bit up to 120 fps
DNxHD 444 and HQX (1920 × 1080) 10-bit up to 120 fps
DNxHD HQ, SQ and LB (1920 × 1080) 8-bit up to 120 fps 
CONSTRUCTIONAluminum Alloy
WEIGHT7.30 lbs (with Integrated Media Bay, PL Mount, and Gold Mount)
7.50 lbs (with Integrated Media Bay, PL Mount, and V-Lock)
OPERATING TEMPERATURE0°C to 40°C (32°F to 104°F)
STORAGE TEMPERATURE–20°C to 50°C (–4°F to 122°F)
RELATIVE HUMIDITY0% to 85% non-condensing
COLOR MANAGEMENTSupports 33×33×33, 32×32×32, 26×26×26, and 17×17×17 3D LUTs
Variable number of 3D LUT outputs
User programmable shaper 1D LUTs
Tetrahedral interpolation, 16-bit processing
AUDIOIntegrated dual channel digital stereo microphones,
uncompressed, 24-bit 48 kHz
Integrated dual channel 5-pin XLR
with preamplifiers, uncompressed, 24-bit 48 kHz
REMOTE CONTROLExternal R.C.P. WiFi antenna with SMA connector
Ethernet, RS232, and GPI Trigger
MONITOR OUTPUTS3G-SDI (HD-SDI) and MON-1
1080p RGB or 4:2:2, 720p RGB or 4:2:2
SMPTE Timecode, HANC Metadata, 24-bit 48 kHz Audio
MONITOR OPTIONSDSMC2® RED Touch 4.7″ LCD, DSMC2® RED Touch 7.0″ LCD and DSMC2® RED EVF (OLED) with cable-free connection.
RED Touch 9.0″ LCD, RED Touch 7.0″ LCD, RED Touch 5.0″ LCD, RED PRO 7″ LCD, DSMC2® Touch 7.0″ Ultra-Brite LCD, BOMB EVF® (OLED) and BOMB EVF® (LCOS) compatible with DSMC2® LCD/EVF Adaptor A or DSMC2® LCD/EVF Adaptor D, and LCD/EVF cable.
REDCINE-X PRO DELIVERY FORMATS4K: DPX, TIFF, OpenEXR (.RED via RRencode plugin)
2K: DPX, TIFF, OpenEXR (.RED via RRencode plugin)
1080p RGB 4:2:2, 720p 4:2:2 : QuickTime, JPEG, AVID AAF, MXF
1080p 4:2:0, 720p 4:2:0 : H.264, .MP4
VIDEO EDITING SOFTWARE COMPATIBILITYAdobe Premiere Pro, AVID Media Composer,
DaVinci Resolve, Edius Pro, Final Cut Pro, Vegas Pro

SONY VENİCE FULL FRAME

SONY VENİCE FULL FRAME  KAMERA

Görüntüleme Aygıtı
Full-Frame CMOS
Görüntüleme Cihazı Piksel Sayısı
24,7M (total), 24,4M (efektif)
Görüntüleme Cihazı Boyut
36,2×24,1 mm. 43,5 mm (diyagonal).
Dahili ND Filtreler
Net, 0,3(1/2), 0,6(1/4), 0,9(1/8), 1,2(1/16), 1,5(1/32), 1,8(1/64), 2,1(1/128), 2,4(1/256)
ISO Hassaslığı
ISO500
Lens Yuvası
PL Montaj
E yuva (kilitleme kolu tipi, birlikte verilen PL lens yuvası adaptörü olmadan)
Genişlik
15+ Durak
FPS seçimi*
Görüntüleyici modu:
3,8K 16:9, 4K 17,9: 1-60 FPS
4K 4:3: 1-48 FPS
4K 6:5, 5,7K 16:9, 6K 17:9, 6K 1,85:1, 6K 2,39:1: 1-30 FPS
6K 3:2: 1-24 FPS
Beyaz Dengesi
2000~15000 Kelvin ve Yeşil/Macenta ayarı, AWB*
Gama Eğrisi
S-Log3
Kayıt Formatı (Video)
XAVC 4K Sınıf 480: 23,98p, 24p, 25p, 29,97p
XAVC 4K Sınıf 300: 23,98p, 24p, 25p, 29,97p, 50p, 59,94p
XAVC QFHD Sınıf 480: 23,98p, 25p, 29,97p
XAVC QFHD Sınıf 300: 23,98p, 25p, 29,97p, 50p, 59,94p
MPEG HD422(1920×1080): 23,98p, 24p, 25p, 29,97p, 50i, 59,94i
HD ProRes 422HQ*: 23,98p, 24p, 25p, 29,97p, 50p, 59,94p, 50i, 60i
HD ProRes 422*: 23,98p, 24p, 25p, 29,97p, 50p, 59,94p, 50i, 59,94i
HD ProRes 422 Proxy*: 23,98p, 24p, 25p, 29,97p, 50p, 59,94p, 50i, 59,94i
Kayıt Formatı (RAW/X-OCN) *gerekir AXS-R7
RAW SQ:
4K 17:9 (4096 x 2160): 23,98p, 24p, 25p, 29,97p, 50p, 59,94p
3,8K 16:9 (3840 x 2160): 23,98p, 25p, 29,97p, 50p, 59,94p
X-OCN ST/LT:
6K 3:2(6048 x 4032)*: 23,98p, 24p,
6K 2,39:1 (6048 x 2530)*: 23,98p, 24p, 25p, 29,97p
6K 1,85:1 (6048 x 3270)*: 23,98p, 24p, 25p, 29,97p
6K 17:9 (6048 x 3190)*: 23,98p, 24p, 25p, 29,97p
5,7K 16:9 (5672 x 3190)*: 23,98p, 25p, 29,97p
4K 6:5(4096×3432)*:23,98p, 24p, 25p, 29,97p
4K 4:3(4096×3024) :23,98p, 24p, 25p*, 29,97p*
4K 17:9 (4096 x 2160): 23,98p, 24p, 25p, 29,97p, 50p, 59,94p
3,8K 16:9 (3840 x 2160): 23,98p, 24p, 25p, 29,97p, 50p, 59,94p
Kayıt Formatı (Ses)
LPCM 4 kanal, 24 bit 48 kHz

PHANTOM FLEX 2K

Sensor Size: 25.6 x 16mm
Resolution: 2560×1440, 1080
Frame Rate: 1-1617 @ 2560×1440
1-2564 @ 1080
Base ISO: 1250
Latitude: 10 Stops
Bit Rate / Format / Time 12 Bit RAW
32GB – 4.5sec @ 2500fps
512GB 1.25min @ 2500fps
Record Times 32GB @ 2,500 fps = 4.5 seconds
512GB @ 2,500 fps = 1:15 minutes
Weight 12 lbs

Even with the excellent light sensitivity provided by the Phantom Flex 2K, shooting at high-speed frame rates requires a significant amount of light to properly expose a capture.  The following diagram is a good rule of thumb to compensate your ISO at select frame rates that the Flex is capable of recording.

Frames Per Second ISO
25 800
50 400
100 200
200 100
250 75
500 40
1000 20
1500 15
2000 10
2500 7

Key Features

  • Up to 2,570 fps at 1920×1080 in Standard Mode
  • 12-bit pixel depth
  • 1200 ISO (measured using ISO 12232 SAT method)
  • HQ Mode provides ultimate in image stability under changing shooting conditions
  • Phantom CineMag compatible, CineMag interface has field-replaceable pin array
  • 2 x 4:2:2 HD-SDI video ports, can be configured as dual-link 4:4:4 video (4:4:4 not available at 60fps video formats)
  • Global, electronic shutter to 1 μs (shutter angles in HQ mode dependent upon frame rate and resolution)
  • Multi-cine capable via segmented memory
  • Internal mechanical shutter for hands-free and remote Current Session References
  • On-camera controls for camera modes, settings, playback, edit & save
  • Frame synchronization to external signal, allows multiple cameras to be synchronized – essential for stereo 3D recording
  • Three 12VDC, 1.5A auxiliary power outputs for powering external devices (one is on the Viewfinder port), 4A maximum load
  • External trigger signal on camera connector panel and both 12VDC power ports
  • Genlock for synchronizing video playback – essential for 3D video workflows

ALEXA SXT PLUS

ALEXA SXT Plus Technical Data

Camera Type 35 format film-style digital camera with an electronic viewfinder, a 16:9, 6:5, 4:3 or Open Gate switchable active sensor area, built-in support for the ARRI Wireless Remote System and the cmotion cvolution lens control system, built-in filter holder, Lens Data System, integrated shoulder arch and receptacles for 15 mm lightweight rods
Sensor 35 format ALEV III CMOS sensor with Bayer pattern color filter array.
Photo Sites Sensor Mode 16:9
2880 x 1620 used for 16:9 ARRIRAW 2.8K
3168 x 1782 used for 16:9 ARRIRAW 3.2K
2880 x 1620 down sampled to 1920 x 1080 16:9 ProRes HD
2880 x 1620 down sampled to 2048 x 1152 for 16:9 ProRes 2K
3200 x 1800 used for 16:9 ProRes 3.2K
3200 x 1800 up sampled to 3840 x 2160 for 16:9 ProRes 4K UHDSensor Mode 6:5
2578 x 2160 used for 6:5 ARRIRAW 2.6K
2560 x 2146 down sampled to 2048 x 858 for 6:5 ProRes 2K Anamorphic
2560 x 2146 re-sampled to 4096 x 1716 for 6:5 ProRes 4K AnamorphicSensor Mode 4:3
2880 x 2160 used for 4:3 ARRIRAW 2.8K
2880 x 2160 used for 4:3 ProRes 2.8KSensor Mode Open Gate
3424 x 2202 used for Open Gate ARRIRAW 3.4K
3424 x 2202 used for Open Gate ProRes 3.4K
3414 x 2198 up sampled to 4096 x 2636 for Open Gate ProRes 4K Cine
Operating Modes 16:9, 6:5, 4:3 or Open Gate sensor modes. Switching takes approx. 60 seconds. All sensor modes available in ARRIRAW and ProRes.
Frame Rates 16:9
0.75 – 120 fps
6:5
0.75 – 96 fps
4:3
0.75 – 96 fps
Open Gate
0.75 – 90 fpsAll speeds adjustable with 1/1000 fps precision. Some limitations based on recording media or recording format apply. For a detailed table of frame rates click here
Shutter Electronic rolling shutter, 5.0º – 358.0º up to 60 fps; 5.0° to 356° above 60 fps. Shutter angle adjustable with 1/10 degree precision.
Filters Permanent filters in front of the sensor: optical low pass, UV, IR. Includes a built-in Internal Filter Module (IFM-1) filter holder that accepts one of eight Full Spectrum Neutral Density (FSND) filters through manual insertion/removal.
Exposure Latitude 14+ stops for all sensitivity settings from EI 160 to EI 3200, as measured with the ARRI Dynamic Range Test Chart (DRTC).
For a graphic of how the exposure latitude shifts at different EIs, click here
Exposure Index Values behind the exposure index are the number of stops above and below 18% grey.
White Balance Presets for 3200 (tungsten), 4300 (fluorescent), 5600 (daylight) and 7000 (daylight cool). Automatic calculation or manual white balance for 2000 to 11000 Kelvin, adjustable in 100 K steps
Color Correction While white balance changes the red/blue hue of the image, color correction changes green/magenta. Adjustable range from -12 to +12 CC. 1 CC corresponds to 035 Kodak CC values or 1/8 Rosco values.
Sound Level Under 19 db(A) while recording ProRes 4444 16:9 HD @ 24 fps and ≤ +30° Celsius (≤ +86° Fahrenheit) with lens attached and fan mode set to ‘Regular’, measured 1 m/3 feet in front of the lens. Silent operation at higher temperatures possible with fan mode set to ‘Rec low’.
Power In Three possible inputs: BAT connector, optional battery adapter back or optional battery adapter top. All inputs accept 10.5 to 34 V DC. Approx. 90 W power draw for camera and EVF-1 in typical use recording ProRes at 24 fps to an SxS PRO card at room temperature, without accessories. Initial power draw during power up is higher.
Power Out 12 V connector: limited to 12 V, up to 2.2 A. RS, EXT and ETHERNET: input below 24 V is regulated up to 24 V; above 24 V: input voltage = output voltage. RS and EXT connectors combined are limited to 2.2 A. ETHERNET is limited to 1.2 A. Maximum power draw is also limited by the power source.
Weight ALEXA SXT Plus body with PL mount: 6.9 kg/15.1 lbs.
ALEXA SXT Plus body with PL mount, electronic viewfinder, viewfinder cable, viewfinder mounting bracket and handle: 8.4 kg/18.6 lbs.
Dimensions ALEXA SXT Plus body with PL mount: Length: 331 mm/13.03”, width: 189 mm/7.44”, height: 157.8 mm/6.21”; dimensional drawings available in the ALEXA manual
Environmental -20° C to +45° C (-4° F to +113° F) @ 95% humidity max, non-condensing. Splash and dust proof through sealed electronics. System cooling through radiator/single fan.
Lens Mount 54 mm stainless steel LDS PL mount, Super 35 centered. 52.00 mm nominal flange focal depth without FSND filters.
Viewfinder Low latency (≤1 frame delay) electronic color viewfinder ARRI EVF-1 with 1280 x 784 F-LCOS micro display (image: 1280 x 720, status bars: 1280 x 32 above and 1280 x 32 below image) and ARRI LED illumination, both temperature controlled. Image can be flipped for use of viewfinder on camera left or right. Viewfinder Mounting Bracket allows movement of viewfinder forward/backwards, left/right, up/down, 360 degree rotation and placement on camera left or right. EVF-1 controls: viewfinder and basic camera settings, ZOOM button (2.25x magnification ‘pixel to pixel’), EXP button (false color exposure check) and jog wheel.
Assistive Displays For EVF-1 and MON OUT: preset and custom frame lines, user rectangles, surround view, 180º image rotation, camera status, false color exposure check, peaking focus check, compare stored image with live image, RETURN IN video and anamorphic de-squeeze. For MON OUT additionally: Reel & clip number.
For a graphic of which false color indicates which exposure level click here
Control Camera right: Main user interface with a 3” transflective 400 x 240 pixel LCD color screen, illuminated buttons, button lock and jog wheel. Camera left: Operator interface with illuminated buttons and button lock. Camera acts as a web server, displaying the ALEXA Web Remote on web browsers of computers connected to ETHERNET connector. Optional accessory Remote Control Unit RCU-4 for cabled remote control via camera ETHERNET connector. Optional accessory Wireless Compact Unit WCU-4 for wireless remote control (UMC 3A or UMC-4 required).
Recording Codecs Uncompressed and unencrypted ARRIRAW or compressed and unencrypted QuickTime/ProRes recording. All formats include embedded audio, timecode and metadata.
For more details click here
Recording Media SxS PRO or SxS PRO+ cards (requires SxS Adapter 2)
CFast 2.0 cards (requires CFast 2.0 Adapter 2)
XR Capture Drives (requires XR Adapter)
SXR Capture Drives (requires SXR Adapter)Note: XR Capture Drive Docks require Codex Production Suite to read XR Capture Drives recorded with ALEXA SXT.
Supported Media SxS PRO 64 GB (SBP-64A)
SxS PRO+ 64 GB (SBP-64B & SBP-64C)
SxS PRO+ 128 GB (SBP-128B & SBP-128C)
LEXAR 3600x CFast 2.0 cards 256 GB
XR Capture Drives 512 GB
SXR Capture Drives 1 TB
SXR Capture Drives 2 TB
Monitor Outputs 4x MON OUT BNC connector for uncompressed 1.5 G HD-SDI video: 1920 x 1080 (16:9), 4:2:2 YCbCr; legal range HD video at 23.976, 24, 25, 29.97, or 30 fps. MON OUT 1b is a clone of MON OUT 1a. Embedded audio, time code, metadata and recording flag.
Image Processing 16 bit linear internal image processing in full ALEXA Wide Gamut/Log C color space. Target output color spaces: Log C, Rec 709 or Rec 2020. An ARRI Look File (ALF-2) containing the name of the target color space, CDL values and a 3D LUT can be applied to ProRes or MON OUT images and will be saved in metadata. Optional horizontal image mirroring.
Synchronization Master/Slave mode for precision sync of settings, sensor, processing, HD-SDI outputs and ARRIRAW or ProRes recording for 3D applications. PHASE user button for shifting camera phase to move phase artifacts out of frame, i.e. when shooting a CRT monitor or rear screen projector (works in Rec Run TC mode).
Playback Playback of ARRIRAW or ProRes recorded material visible on EVF-1 and MON OUT. Playback audio available over headphone jack and embedded in the MON OUT signal.
Audio 1x XLR 5 pin AUDIO IN for 2 channel, line level, balanced audio. 24 bit/48 kHz A/D conversion. Uncompressed PCM audio recording to ARRIRAW, ProRes and embedded in all HD-SDI outputs. Only available with same project/sensor speed at 23.976, 24, 25, 29.97 and 30 fps. Max of 2.5 dBm output from AUDIO OUT headphones connector.
Connectors 1x media slot
4x BNC monitoring out HD-SDI, 1.5G MON OUT
1x XLR 5-pin analog audio in AUDIO IN
1x BNC return video in HD-SDI, 1.5G RET/SYNC IN
1x LEMO 16-pin external accessory interface EXT
1x Fischer 2-pin 24 V power in BAT
3x Fischer 3-pin 24 V remote start and accessory power out RS
1x LEMO 2-pin 12 V accessory power out 12 V
1x LEMO 5-pin timecode in/out TC
1x TRS 3.5 mm headphone mini stereo jack AUDIO OUT
1x custom LEMO 16-pin electronic viewfinder EVF
1x custom LEMO 10-pin Ethernet with 24 V power ETHERNET
1x Fischer 5-pin Lens Data Display LDD
2x Fischer 5-pin Lens Control System LCS
1x Fischer 12-pin for CLM-2, CLM-3, CLM-4 or later IRIS
1x Fischer 12-pin for CLM-2, CLM-3, CLM-4 or later FOCUS
1x Fischer 12-pin for CLM-2, CLM-3, CLM-4 or later ZOOM
BNC connectors are designed for fast exchange without camera disassembly. These connectors require a special tool (ALEXA Plus BNC Removal Tool, K5.72915.0).
SD Card For importing and storing of ARRI Look Files, camera set up files, frame line files and user pixel masks and custom lens tables for the Lens Data Archive (LDA). Stores frame grabs in ARRIRAW (.ari, 12 bit), TIFF (.tif, 16 bit), DPX (.dpx, 10 bit) or JPEG (.jpg, 8 bit) format. Stores log files. Also used for installing Software Update Packets (SUPs).
Upgrades The Storage Interface Module can be exchanged for future storage modules. The Electronics Interface Module (available as either regular ALEXA or ALEXA Plus versions) can be exchanged for future control electronics. An easily exchangeable lens mount allows other lenses beyond LDS PL mount lenses to be used. Simple camera software updates via free of charge Software Update Packets (SUPs).
Software Tools (apps) ARRIRAW Converter (ARC)
ARRI Color Tool 
ARRI Meta Extract
Software Tools (online) ALEXA Camera Simulator
Lens Illumination Guide 
ARRI Frame Line Composer (AFC) 
LUT Generator 
ARRI Formats & Datarate Calculator

ARRI ALEXA MINI

ALEXA Mini Technical Data

Product ALEXA Mini
Camera type 35 mm format film-style digital camera with lightweight and compact carbon body, switchable active sensor area, support for ARRI MVF-1 viewfinder, built-in remote control capabilities via ARRI Electronic Control System and Wi-Fi, support for cforce motors, built-in motorized ND filters, interchangeable lens mounts and ARRI Lens Data System as well as Lens Data Archive.
Dimensions Length: 185 mm/7.3″
Width: 125 mm/4.9″
Height: 140 mm/5.5″
(camera body with PL lens mount)
Click here for dimensional drawings
Weight ~ 2.3 kg/5 lbs (camera body with titanium PL lens mount)
Sensor 35 mm format ARRI ALEV III CMOS with Bayer pattern color filter array
Active photo sites
(with surround view)
S16 HD: 1600 x 900 (1760 x 980)
HD: 2880 x 1620 (3168 x 1772)
2K: 2868 x 1612 (3154 x 1764)
3.2K: 3200 x 1800 (3424 x 1926)
4K UHD: 3200 x 1800 (3424 x 1926)
4:3 2.8K: 2880 x 2160 (3168 x 2160)
2.39:1 2K Ana.: 2560 x 2145 (3424 x 2202)
HD Ana.: 1920 x 2160 (3424 x 2202)
Open Gate 3.4K: 3424 x 2202 (3424 x 2202)
Shutter Electronic shutter, 5.0° to 356.0°
Exposure latitude 14+ stops over the entire sensitivity range from EI 160 to EI 3200 as measured with the ARRI Dynamic Range Test Chart (DRTC-1)
Exposure index EI 800 base sensitivity
Filters Built-in motorized ND filters 0.6, 1.2, 2.1
Lens mounts Titanium PL mount with L-Bus connector and LDS
EF mount
PL mount with Hirose connector and LDS
B4 mount with Hirose connector(A)
Recording media CFast 2.0 memory cards
Recording formats ProRes:
S16 HD: 1920 x 1080 (up-sampled from 1600 x 900)
HD: 1920 x 1080
2K Cine 16:9: 2048 x 1152
3.2K: 3200 x 1800
4K UHD: 3840 x 2160 (up-sampled from 3.2K)
4:3 2.8K: 2880 x 2160 (padded to 2944 x 2160)Anamorphic ProRes formats with 2x in-camera de-squeeze:
HD Anamorphic: 1920 x 1080*
2.39:1 2K Anamorphic: 2048 x 858*MXF/ARRIRAW (in-camera recording to MXF-wrapped ARRIRAW files):
2.8K 16:9: 2880 x 1620**
Open Gate: 3424 x 2202***MXF/ARRIRAW Open Gate modes with active image area matching 4:3 ProRes modes:
4:3 2.8K (OG 3.4K): 2880 x 2160 (Recording in Open Gate 3.4K)***
2.39:1 Ana. (OG 3.4K): 2560 x 2145 (Recording in Open Gate 3.4K)***
16:9 HD Ana. (OG 3.4K): 1920 x 2160 (Recording in Open Gate 3.4K)****) requires ALEXA Mini 4:3 License Key,
**) requires ALEXA Mini ARRIRAW License Key,
***) requires both ALEXA Mini 4:3 and ARRIRAW Licenses Keys

Click here for a drawing with details about the recording areas, surround views and framelines

Recording codec ProRes 4444XQ, 4444, 422 (HQ), 422, 422(LT), MXF/ARRIRAW
Recording frame rates 16:9
ProRes HD 0.75 – 200 fps
ProRes S16 HD 0.75 – 200 fps
ProRes 2K 0.75 – 200 fps
ProRes 3.2K 0.75 – 60 fps
ProRes UHD 0.75 – 60 fps
MFX/ARRIRAW 16:9 2.8K 0.75 – 48 fps4:3
ProRes 4:3 2.8K 0.75 – 50 fps6:5*
ProRes 2:39:1 2K Ana. 0.75 – 120 fps8:9**
ProRes HD Ana. 0.75 – 120 fpsOpen Gate
MFX/ARRIRAW 3.4K Open Gate 0.75 – 30 fps

* 4:3 cropped
** Center crop from anamorphic
(1) Minimum frame rate is always 0.75 fps
(2) The „recording resolution“ determines the number of horizontal pixels that will be recorded (the number of vertical pixels is dependent on the recording file type and sensor mode)

Click here for a detailed table of frame rates

Color output Rec 709, custom look or Log C
Look control Import of custom 3D LUT, ASC CDL parameter (slope, offset, power, saturation)
Adjustable image parameters Knee, gamma, saturation, black gamma, saturation by hue
Focus and exposure control Peaking, zebra, false color, waveform
White balance Manual and auto white balance
Sound level < 20 dB(A) at standard frame rates
Environmental ‘-20° C to +45° C (-4° F to +113° F) @ 95% humidity max, non-condensing splash and dust-proof through sealed electronics
Viewfinder Multi Viewfinder MVF-1 (OLED and LCD) with flip-out LCD screen and military-grade connector to camera Camera Control Panel (CCP-1) LCD control panel with option to daisy-chain MVF-1
Control interface Soft buttons and OSD on SDI output, integration of Transvideo Starlite HD5-ARRI touch interface WCU-4 hand-unit with control over operational parameters.
ARRI lens motor control Built-in white coded radio interface for ARRI lens and camera remote control LBUS motor output for daisy-chainable cforce lens control motors Lens Data Archive
Wi-Fi remote control Built-in Wi-Fi interface and web-based remote control from phones, tablets and laptops
Custom control Optional GPIO interface for integration with custom control interfaces
Power input Lemo 8-pin, 10.5-34 V DC
Video outputs 2x HD-SDI out 1.5G and 3G: uncompressed HD video with embedded audio and metadata, 6G SDI in UHD and 3.2K recording modes.
Inputs SDI-Genlock (optional activation through ARRI Service), Timecode (in and output)
Other interfaces USB 2.0 (for user sets, looks etc.)
Ethernet for service and web remote control
EXT accessory interface w. RS pin and unregulated power output (outputs battery voltage)

ARRIFLEX 16 SR3 (HS)

ARRIFLEX 16 SR3 (HS)

Standard Version (Advanced) High Speed Version (HS)
Fps 5 to 75 fps (crystal accurate to 0.001fps) 5 to 150 fps (crystal accurate to 0.001fps)
Shutter 180°, 172,8°, 144°, 135°, 90°, 45° 180°, 172,8°, 144°, 135°, 90°, 45°
Film format Super 16 mm, conforming to DIN 15602 and ISO-5768-1998 Super 16 mm, conforming to DIN 15602 and ISO-5768-1998
Lens mount 54 mm stainless steel PL mount 54 mm stainless steel PL mount
Sound 20 dB(A) + 2 dB(A); 27 dB(A) + 2 dB(A)
Viewfinder magnification 10 x (10/17 times with viewfinder extension) 10 x (10/17 times with viewfinder extension)
Dimensions L 264 mm B 172 mm H 195 mm
(viewfinder in horizontal position)L 264 mm B 100 mm H 298 mm
(viewfinder in vertical position)
L 264 mm B 172 mm H 195 mm
(viewfinder in horizontal position)L 264 mm B 100 mm H 298 mm
(viewfinder in vertical position)
Weight app. 7 kg (15.4 lbs),
with loaded 400 ft magazine and on-board battery 24 V
app. 7 kg (15.4 lbs),
with loaded 400 ft magazine and on-board battery 24 V
Power supply 24 V 24 V
Temperature range -20°C to +50°C (+4°F to +122°F) -20°C to +50°C (+4°F to +122°F)
Timecode With TC -magContinuous barcode on film edge, 80 bit according to SMPTE RP 114 With TC- mag:Continuous barcode on film edge, 80 bit according to SMPTE RP 114

ARRIFLEX 535

The Arriflex 535B is a 35 mm silent production camera that combines convenience and flexibility of operation with the precision and reliability typical of Arri products. The 535B functions equally well as a studio or location camera for sync sound shooting. It is hard-wearing and sufficiently versatile to serve as the main or even the only camera for a feature film production.

Technical Specs

RECORDING FORMAT: 35 mm Film
LENS MOUNT: 54 mm PL
CONTACTS FOR LDS LENSES: No
FORWARD RUN: 3-60 fps
REVERSE RUN: 3-60 fps
SOUND LEVEL: below 20 db(A)
TEMPERATURE RANGE: -20°C to +50°C (-4°F to 122°F)
MIRROR REFLEX SHUTTER: 180° to 15° manually adjustable
NOMINAL POWER INPUT: 24 V DC to 36 V DC
WEIGHT BODY WITH FINDER:  10 kg/22 lbs

Our Kit

Our rental kit includes:

  • Arriflex 535B Camera Body
  • 35mm Ground Glass
  • Arriflex 535b Optical Viewfinder
  • Arriflex 535b Extension Viewfinder
  • Heated Eyepiece
  • IVS Color Video Assist
  • Arri Sliding Baseplate w/rods
  • Camera Dovetail Plate
  • 400′ magazines (4x)
  • Vicrtory Battery Blocks /Battery Belts 12/24v

ARRIFLEX 435 XTREME

ARRI 435 Xtreme

Recording format 35 mm Film
Lens mount 54 mm PL
Contacts for LDS lenses yes
Forward run 0.1-150 fps
Reverse run 0.1-150 fps
Sound level MOS
Temperature range -20°C to +50°C (-4°F to 122°F)
Mirror reflex shutter 180° to 11.25° electronically adjustable
Nominal power input 24 V DC to 32 V DC
Weight body with finder 6.5 kg/14.3 lbs

ARRIFLEX 435 ADV

Recording format 35 mm Film
Lens mount 54 mm PL
Contacts for LDS lenses yes
Forward run 1-48 fps
Reverse run 1-32 fps
Sound level below 24 db(A)
Temperature range -10°C to +40°C (14°F to 104°F)
Mirror reflex shutter 180° to 0° electronically adjustable
Nominal power input 24 V DC to 32 V DC
Weight body with finder 5.25 kg/11.56 lbs

ARRIFLEX 235

ARRIFLEX 235

Recording format 35 mm Film
Lens mount 54 mm PL
Contacts for LDS lenses no
Forward run 1-75 fps
Reverse run 20-30 fps
Sound level MOS
Temperature range -20°C to +50°C (-4°F to 122°F)
Mirror reflex shutter 180° to 45° manually adjustable
Nominal power input 21 V DC to 35 V DC
Weight body with finder 3.5 kg/7.7 lbs

ARRICAM LITE

Recording format 35 mm Film
Lens mount 54 mm PL
Contacts for LDS lenses yes
Forward run 1-48 fps
Reverse run 1-32 fps
Sound level below 24 db(A)
Temperature range -10°C to +40°C (14°F to 104°F)
Mirror reflex shutter 180° to 0° electronically adjustable
Nominal power input 24 V DC to 32 V DC
Weight body with finder 5.25 kg/11.56 lbs

SONY F65

The Sony F65 Camcorder Camera is a flagship model belonging to the large sensor camcorder family backed by the advanced sensor acquisition technology. The Sony camera belongs to the Cine Alt camera lineup which has products that are capable of delivering the real expression as the art by a digital cinematographer. The F65 is optimized to take TV production and motion picture to new heights. The Sony 20 Megapixel camera is capable of offering images without any compromise in quality with breathtaking colors, depth as well as details. When shot with the Sony F65 camera, every frame will have more color, expression, emotion and dynamics that makes it a favorite choice of world class cinematographers and directors. The Sony F65 Camcorder camera is capable of fully integrating with any live production conditions in 4K. the super 35 mm CMOS sensor captures each frame with 20 MP effective resolution with the weight of 5000 grams and compact dimensions, the Sony camera is capable of delivering pictures with unprecedented fidelity and impressive dynamic range.
Focal Length & Aperture: 
The flange focal length of the Sony Black camera is 52 mm with 14 stop latitude, less than 0.02% registration and has 17:9 aspect ratio. It is capable of recording at the rate of 120 fps and has 0.04 to 0.01 mm as the focal length.
Multiple Options: 
The Sony CMOS camera uses the Sony S gamut to deliver wide color range with linear RAW (16 bit) with high precision. The mechanical rotary shutter maintains very strict geometric integrity that makes Camcorder camera it a perfect choice for recording TV episodes, movies, music videos, commercials and movies. The Camcorder camera also offers S-Log3 grey scale encoding and HD 12 bit 4:4:4.
Storage:
The Sony Camcorder camera is compatible with SD memory cards up to class 10.

Sony F65 Camcorder Camera Specs

Camera Type: Camcorder
Colour: Black
Connectivity: USB
Weight: 5000
Focal Length: 0.04 to 0.01 mm
Storage Media: SD, SDHC
Power Source: DC 10.5 V to 17 V Battery
Dimension: 0
Warranty: 1
Battery Type: Lithium ion Battery
Effective MegaPixels: 20
Image Format: JPEG, RAW
Lens: PL mount
Screen Inches: 3
Sensor Type: CMOS
Aspect Ratio: 17:9
Features: Built-in ND Filters, Compact and light-weight, Fully integrates into Sony 4K live production environment, Records at up to 120 FPS, Records on to SRMemory with dockable SR-R4 SRMASTER Portable Recorder, Rotary shutter, Super 35mm CMOS sensor with 20 Mega pixels, Wide range of interfaces for on-set workflow

SONY F35

General

Power Requirements
DC 10.5 V to 17 V
Power Consumption
56 W (without lens, viewfinder, at 23.98PsF mode)
Operating Temperature
0°C to 40°C
32°F to 104°F
Storage Temperature
-20°C to +60°C
-4°F to +140°F
Mass
5.0 kg
11 lb

Camera Section

Imaging Device (Type)
1-chip Super 35 mm type Progressive CCD
Aspect Ratio
16:9
Effective Picture Elements
1920 x 3 (RGB) x 2160 (Camera output: 1920 x 1080 RGB)
Lens Mount
o54 mm PL mount
Flange Focal Length
52.00 mm (+/-0.15 mm adjustable)
Latitude
12-stop
Registration
Within 0.02% (all zones, without lens)
Distortion
Below measureable level (without lens)
Horizontal Resolution
1000 TV lines

Input/Output

DC Input
Lemo 8-pin (male) (x1), DC 10.5 V to 17 V, DC 20 V to 30 V
DC Output
DC 12 V: 11-pin (x1), max. 4 A
DC 24 V: 3-pin (x1), max. 5.5 A
Viewfinder
20-pin (x2)
Lens
12-pin (x1)
Monitor Output
BNC (x2), HD-SDI (4:2:2)
Test Output
BNC (x1), VBS/HD Y
Genlock Input
BNC (x1), 75 Ω, HD 3-level sync, 0.6 Vp-p
Remote
8-pin (x1)
External Input/Output
Lemo 5-pin (female) (x1)
Ethernet
RJ-45 type (x1), 10BASE-T/100BASE-TX
Lens Mount Hot Shoe
4-pin (x2), conforming to ARRI LDS (Lens Data System) and Cooke /I Intelligent Electronic Lens System)
“Memory Stick” (MS)/SD Memory Card
“Memory Stick” connector (x1)
Supports “Memory StickPRO”, “Memory Stick PRO Duo

Interface Box (Supplied) General

Power Requirements
DC 10.5 V to 17 V
Operating Temperature
0°C to 40°C
32°F to 104°F
Storage Temperature
-20°C to +60°C
-4°F to +140°F
Mass
560 g
1 lb 4 oz
Dimensions *1
138 x 104 x 79 mm
5 1/2 x 4 1/8 x 3 1/8 inches

Interface Box (Supplied) Input/Output

Audio Input (CH1/CH2)
XLR-type 3-31 (female), line/mic/mic +48 V selectable
HD-SDI Output
A: BNC (x1)
B: BNC (x1)
(1.485 Gbps) (SMPTE-292M/372M, BTA-S004B standard)
DC Input
XLR-type 4-pin (male) (x1)

SONY F55

General

Power Requirements
DC 12 V (11 V to 17 V)
Power Consumption
Approx. 25 W (while recording XAVC 4K 60p, EVF Off, LCD monitor Off, 4K SDI On)
Operating Temperature
0°C to 40°C
32°F to 104°F
Storage Temperature
-20°C to +60°C
-4°F to +140°F
Mass
2.2 kg (without lens, handle, audio box and accessories)
4 lb 14 oz (without lens, handle, audio box and accessories)
Dimensions (W x H x D) *1
130 x 125 x 191 mm (without protrusions)
5 1/8 x 5 x 7 5/8 inches (without protrusions)
Battery Operating Time
Approx. 150 min with BP-FL75
Approx. 210 min with BP-GL95A
Recording Format (Video)
XAVC (AVC/H.264 High 4:2:2 Intra Profile)
4K: VBR, 600 Mbps max.
HD: SMPTE RP2027 Class100 compliant
MPEG2 HD (MPEG-2 Long GOP)
HD 422 mode: CBR, 50 Mbps max., MPEG-2 422P@HL
*2
Recording Format (Audio)
LPCM 8CH (2CH recording/playback), 24-bit, 48-kHz
Recording Frame Rate
XAVC 4K (4096 x 2160):
23.98p/24p/25p/29.97p/50p/59.94p
XAVC QFHD (3840 x 2160): 23.98p/25p/29.97p/50p/59.94p
XAVC 2K (2048 x 1080):
23.98p/24p/25p/29.97p/50p/59.94p
XAVC HD (1920×1080):
23.98p/25p/29.97p/50p/59.94p
MPEG4 SStP (1920 x 1080):
23.98p/24p/25p/29.97p
MPEG2 HD (1920×1080):
23.98p/25p/29.97p/50i/59.94i
MPEG2 HD (1280 x 720):
50p/59.94p
*3
Recording/Playback Time
XAVC 4K, 23.98p: Approx. 25 min (SBP-64B)/Approx. 50 min (SBP-128B)
59.94p: Approx. 10 min (SBP-64B)/Approx. 20 min (SBP-128B)
XAVC HD, 23.98p: Approx. 70 min (SBP-64B)/Approx. 140 min (SBP-128B)
59.94p: Approx. 30 min (SBP-64B)/Approx. 60 min (SBP-128B)
MPEG2 HD: Approx. 60 min (SBS-32G1A)/Approx. 120 min (SBS-64G1A)

Camera Section

Imaging Device (Type)
Super 35mm equivalent Single-chip CMOS
Imaging Device (Pixel Count)
11.6M (total), 8.9M (effective)
Aspect Ratio
17:9
Built-in Filters
Clear, 0.9 (1/8ND), 1.8 (1/64ND)
Sensitivity (2000 lx, 89.9% reflectance)
Video Gamma: T12@24p (3200K light source)
ISO Sensitivity
S-Log2 Gamma: ISO 1250 (D55 light source)
Lens Mount
PL mount (with supplied lens mount adapter)
FZ mount (without supplied lens mount adapter)
Latitude
14-stop
S/N Ratio
57dB (Video Gamma, 24p, Noise Suppression OFF)
Shutter Speed
1/24s to 1/6,000s (23.98PsF)
Shutter Angle
4.2°to 360°(electrical shutter)
Slow Shutter (SLS)
2, 3, 4, 5, 6, 7, 8-frame accumulation
Slow & Quick Motion Function
XAVC 4K/QFHD: 1-60p (NTSC), 23.98p/29.97p
XAVC 4K/QFHD: 1-50p (PAL), 25p
XAVC 2K/HD: 1-180p (NTSC), 23.98p/29.97p
XAVC 2K/HD: 1-150p (PAL), 25p
White Balance
Preset (3200K, 4300K, 5500K), Memory
Gain
-3, 0, 3, 6, 9, 12, 18 dB, AGC
Gamma Curve
Standard (x6)
HG1, HG2, HG3, HG4, HG7, HG8
S-Log2 Gamma

Input/Output

Audio Input
CH-1/CH-2: XLR-type 3-pin (female) (x2), Line/Mic/Mic +48V (AES/EBU) *4  switchable
DC Input
XLR-type 4-pin (male) (x1), 11 V to 17 V DC
DC Output
4-pin (x2), 11 V to 17 V DC (max. 1.8 A) with battery adapter
Viewfinder
Digital viewfinder interface (x1)
SDI Output
BNC (x4), HD mode: SDI 1/2 Line Output, SDI 3/4 Monitor Output
4K mode: SDI 1/2/3/4 Line Output, Display On/Off switchable
Test Output
BNC (x1), HD-Y or HD Sync (tri-level) V1.0
Timecode Input/Output
TC IN/OUT (x1) switchable
Genlock Input
BNC (x1)
Remote
8-pin (x1)
HDMI Output
A Type (x1)
USB
USB host, type-A (x1)
USB
USB device, Mini-B (x1)
Headphone Output
Stereo mini jack (x1)
Speaker Output
Monaural
Shutter
BNC (x1) *4
Wi-Fi
USB host, type-A (x1)

Media

Type
ExpressCard/34 slot (x2)
SD card slot (x1)

RED EPIC MYSTERIUM-X

SENSOR 14 Megapixel MYSTERIUM-X®
PIXEL ARRAY 5120 (h) x 2700 (v)
MAX IMAGE AREA 5120 (h) x 2700 (v)
DYNAMIC RANGE 13.5+ stops, up to 18 stops with HDRx®
S/N RATIO 66 dB
LENS COVERAGE 27.7 mm (h) x 14.6 mm (v) = 31.4 mm (d)
MAX DEPTH OF FIELD Equivalent to S35mm (Motion)/APS-H (Still) lenses
PROJECT TIMEBASE 23.98, 24, 25, 29.97, 47.96, 48, 50, 59.97 fps, all resolutions
REDCORDING FRAME RATES 1–120 fps @ 5K
1–150 fps @ 4K
1–200 fps @ 3K
1–300 fps @ 2K
REDCODE® COMPRESSION Compression choices of 18:1 to 3:1
REDCODE RAW
ACQUISITION FORMATS
5K (Full Format, 2:1, 2.4:1, 16:9, 1.22:1 and Anamorphic 2x 1.22:1)
4K (Full Format, 2.4:1, 16:9 “UHD”)
3K (Full Format, 2.4:1, 16:9)
2K (Full Format, 2.4:1, 16:9 “HD”)
1K (2.4:1, 720p “HD”)
DELIVERY FORMATS 4K : DPX, TIFF, OpenEXR (.RED via RRencode Plugin)
2K : DPX, TIFF, OpenEXR (.RED via RRencode Plugin)
1080p RGB or 4:2:2, 720p 4:2:2 : Quicktime, JPEG
Avid AAF, MXF. 1080p 4.2.0, 720p 4:2:0 : H.264, .MP4
PROGRAM OUTPUT 3G-SDI (HD-SDI) Clean Feed
SMPTE Timecode, HANC Metadata, 24-bit 48 kHz Audio
MONITOR OUTPUT 3G-SDI (HD-SDI) and HDMI with Frame Guides and Look Around or Clean Feed
1080p 4:2:2, 720p 4:2:2 SMPTE Timecode, HANC Metadata, 24-bit 48 kHz Audio
MONITORING OPTIONS RED Touch 5.0″ LCD
RED PRO 7″ LCD
RED Touch 7.0″ LCD
RED Touch 9.0″ LCD
BOMB EVF (LCOS) High Definition Viewfinder
BOMB EVF (OLED) High Definition Viewfinder
DIGITAL MEDIA (SSD) REDMAG® 1.8″, RED MINI-MAG®
AUDIO 2 channel, uncompressed, 24-bit 48 kHz
Optional 4 channel, and AES/EBU digital audio
REMOTE CONTROL RED COMMAND PROTOCOL (R.C.P.) Wireless, Ethernet, RS232, GPI Trigger
CONSTRUCTION Aluminum Alloy
WEIGHT 5 lbs (BRAIN only)
OPERATING TEMPERATURE 0°C to 40°C (32°F to 104°F)
STORAGE TEMPERATURE –20°C to 50°C (–4°F to 122°F)

RED DRAGON

SENSOR 19 MEGAPIXEL DRAGON™
PIXEL ARRAY 6144 (h) x 3160 (v)
S/N RATIO 80db
DYNAMIC RANGE 16.5+ stops
MAX IMAGE AREA 6144 (h) x 3160 (v)
LENS COVERAGE 30.7mm (h) x 15.8mm (v) x 34.5 mm (d)
ACQUISITION FORMATS 6K RAW (2:1, 2.4:1) 5K RAW (Full Frame, 2:1, 2.4:1 and Anamorphic 2:1) 4.5K RAW (2.4:1) 4K RAW (16:9, HD, 2:1 and Anamorphic 2:1) 3K RAW (16:9, 2:1 and Anamorphic 2:1) 2K RAW (16:9, 2:1 and Anamorphic 2:1) 1080p RGB (16:9) 720p RGB (16:9)
PROJECT FRAME RATES 23.98, 24, 25, 29.97, 47.96, 48, 50, 59.94 fps, all resolutions
DELIVERY FORMATS* 4K : DPX, TIFF, OpenEXR (RED RAY via optional encoder) 2K : DPX, TIFF, OpenEXR (RED RAY via optional encoder) 1080p RGB or 4:2:2, 720p 4:2:2 : Quicktime, JPEG Avid AAF, MXF. 1080p 4.2.0, 720p 4:2:0 : H.264, .MP4
PROGRAM OUTPUT HD-SDI Clean Feed SMPTE Timecode, HANC Metadata, 24-bit 48Khz Audio
MONITOR OUTPUT HD-SDI and HDMI with Frame Guides and Look Around 2K RGB, 1080p RGB or 4:2:2, 720p RGB or 4:2:2 SMPTE Timecode, HANC Metadata, 24-bit 48Khz Audio
DIGITAL MEDIA REDMAG (SSD) Module (64, 128, 256, 512GB Media)
REDCODE™ Compression choices of 18:1 to 3:1 12 and 16-bit RAW : Compression choices of 18:1 to 3:1 1-100 fps 6K 1-120 fps 5K, 4.5K 1-150 fps 4K 1-200 fps 3K 1-300 fps 2K
AUDIO 2 channel, uncompressed, 24 bit, 48kHz. Optional 4 channel, and AES / EBU digital audio.
MONITORING OPTIONS RED LCD 5″ and 9” Touchscreen Display BOMB EVF™ High Definition Viewfinder
REMOTE CONTROL Wireless, Ethernet, RS232, GPI Trigger
WEIGHT 5lbs. Body only
CONSTRUCTION Aluminum Alloy
TEMPERATURE RANGES Operating Range: 0˚C to +40˚C (32˚F to 104˚F) Storage Range: -20˚C to +50˚C (-4˚F to 122˚F)

PHANTOM HD GOLD

Phantom HD Gold Digital Highspeed Camera

Technical Data:
Framerate
at full resolution
554 fps
Framerate
maximum
1.052 fps (HD 1920×1080)
1.576 fps (HD 1280×720)
Even higher framerates at decreased resolution.
Sensor Size 25.5mm x 25.5mm
1.0039″ x 1.0039″
Sensor Resolution 2048 pixel wide x 2048 pixel high
Sensitivity about 500 ISO
Shutter Electronic Progressive
Minimum Exposure Time 2 microseconds
Lens Mount PL-Mount, compatible with most 35mm cine lenses
Viewfinder Electronic 3.5″ LCD Color Viewfinder Sony HDVFC35W
Preview, Focusing and Playback SVGA Computer Monitor, Continuous Video Out, Viewfinder
Video Out NTSC, PAL, and HD-SDI, (720p, 1080p, 1080i at 24, 25, 59.9, 60fps)
Memory in Camera 16 GB High-Speed (DRAM)
Non-volatile Memory CineMag 256 GB optional
Recording Format .cine
Format Conversion Cine Compressed, Cine RAW, AVI, MPEG, Multipage TIFF, MXF PAL, MXF NTSC, Quick Time, Windows BMP, OS/2 BMP, PCX, TGA, TIFF, LEAD, JPEG, JTIF, RAW, DNG, DP
Power Input 24 Vdc nominal
Size[1] 13.97cm x 19.4cm x 30.8cm (5.47in x 7.62in x 12.13in)
Weight[1] 5.5 kg / 12.125 lbs

PANASONIC AJ-HPX3100

General Specifications Power Supply DC12V (11V to 17V)
Power Consumption 34 W (main unit only)
Operating Temperature 0°C to 40°C (32 °F to 104 °F)
Operating Humidity 10 % to 85 % (relative humidity)
Keeping Temperature −20 °C to 60 °C (−4 °F ro 140 °F)
Operating Time Approx. 150 min., when using DIONIC90 battery
Weight Approx. 3.9 kg/8.6 lbs (main unit only)
Dimensions (W x H x D) 14.0 cm x 27.05 cm x 33.58 cm excluding handle and option cove
Camera Section CCD Elements CCD x 3 (2/3-type interline transfer type, RGB, 2,200,000 pixel)
Picture Elements Total: 2010 (H) x 1120 (V)
Lens Mount Optical image stabilizer lens, 22x motorized zoom, F1.6 – 3.2 (f=0.39 cm – 8.6 cm), 3.5 cm conversion: 2.8 cm – 61.6 cm (16:9)
Filter Diameter 2/3-bayonet type
Optical Color Separation Prism system
CCl Filters A: 3200K, B: 4300K, C: 5600K, D: 6300K
ND Filters 1: CLEAR, 2: 1/4ND, 3: 1/16ND, 4: 1/64ND
Quantizing 14 bits
Horizontal Drive Frequncy 59.94 Hz: 74.1758 MHz, 50 Hz: 74.25 MHz
Sampling Frequncy 59.94 Hz: 74.1758 MHz, 50 Hz: 74.25 MHz
Digital Signal Process 59.94 Hz: 74.1758 MHz, 50 Hz: 74.25 MHz
Programmable Gain −6 dB, −3 dB, 0 dB, 3 dB, 6 dB, 9 dB, 12 dB, 15 dB, 18 dB, 21 dB, 24 dB, 27 dB, 30 dB selectable
Digital Super Gain 6 dB, 10 dB, 12 dB, 15 dB, 20 dB, 24 dB, 28 dB, 34 dB selectable
Super Gain 30 dB, 36 dB, 42 dB selectable
Shutter Speed 1/60 (50 Hz) sec., 1/100 (59.94 Hz) sec.,1/120 sec., 1/250 sec.,1/500 sec., 1/1000 sec., 1/2000 sec., HALF 180.0 deg, 172.8 deg, 144.0 deg, 120.0 deg, 90.0 deg, 45.0 deg
Shutter Speed (Syncro Scan) 1/61.7 sec. to 1/7200 sec. (1080/59.94i, 480/59.94i) 1/30.9 sec. to 1/3600 sec. (1080/29.97p,480/29.97p) 1/24.7 sec. to 1/2880 sec. (1080/23.98p,480/23.98p) 1/51.4 sec. to 1/6000 sec. (1080/50i,576/50i) 1/25.7 sec. to 1/3000 sec. (1080/25p,576/25p)
Sensitivity 1080/59.94i: F11, 1080/50i: F12 (2000 lx, 89.9 % reflect)
Minimum Luminance 0.005 lx (F1.4, S.GAIN 42 dB + DS.GAIN 34 dB)
Video S/N DNR ON: 59 dB, DNR OFF: 54 dB (standard)
Registration Less than 0.03 % (whole zone, without lens distortion)
Horizontal Resolution 1,000 TV lines (at center standard)
Memory Card Recorder Section Recording Media P2 card
Recording Formats AVC-Intra 100/AVC-Intra 50/DVCPRO HD/ DVCPRO50/DVCPRO/DV Format switchable
Recording Video Signal 1080/59.94i, 1080/29.97p over 59.94i, 1080/23.98p over 59.94i, 1080/23.98pA over 59.94i, 1080/29.97pN, 1080/23.98pN, 1080/50i, 1080/25p over 50i, 1080/25pN, 480/59.94i, 480/29.97p over 59.94i, 480/23.98p over 59.94i, 480/23.98pA over 59.94i, 576/50i, 576/25p over 50i
Recording Audio Signal AVC-Intra 100/50: 48 kHz, 16 bit/24 bit switchable, 4ch DVCPRO HD/DVCPRO 50: 48 kHz, 16 bit, 4ch DVCPRO/DV: 48 kHz, 16 bit, 2ch/4ch switchable
Recording/Playback Time* with a 64 GB P2 card x 1 AVC-Intra 100 approx. 64 min
AVC-Intra 50 approx. 128 min
DVCPRO HD approx. 64 min
DVCPRO50 approx. 128 min
DVCPRO/DV approx. 256 min
Recording/Playback Time* with a 64 GB P2 card x 2 AVC-Intra 100 approx. 128 min
AVC-Intra 50 approx. 256 min
DVCPRO HD approx. 128 min
DVCPRO50 approx. 256 min
DVCPRO/DV approx. 512 min
Recording/Playback Time* with a 32 GB P2 card x 1 AVC-Intra 100 approx. 32 min
AVC-Intra 50 approx. 64 min
DVCPRO HD approx. 32 min
DVCPRO50 approx. 64 min
DVCPRO/DV approx. 128 min
Recording/Playback Time* with a 32 GB P2 card x 2 AVC-Intra 100 approx. 64 min
AVC-Intra 50 approx. 128 min
DVCPRO HD approx. 64 min
DVCPRO50 approx. 128 min
DVCPRO/DV approx. 256 min
Recording/Playback Time* with a 16 GB P2 card x 1 AVC-Intra 100 approx. 16 min
AVC-Intra 50 approx. 32 min
DVCPRO HD approx. 16 min
DVCPRO50 approx. 32 min
DVCPRO/DV approx. 64 min
Recording/Playback Time* with a 16 GB P2 card x 2 AVC-Intra 100 approx. 32 min
AVC-Intra 50 approx. 64 min
DVCPRO HD approx. 32 min
DVCPRO50 approx. 64 min
DVCPRO/DV approx. 128 min
Digital Video Specification Sampling Frequency AVC-Intra 100/AVC-Intra 50/DVCPRO HD: Y: 74.1758 MHz, PB/PR: 37.0879 MHz (59.94 Hz) Y: 74.2500 MHz, PB/PR: 37.1250 MHz (50 Hz) DVCPRO50: Y: 13.5 MHz, PB/PR: 6.75 MHz DVCPRO: Y: 13.5 MHz, PB/PR: 3.375 MHz
Quantizing AVC-Intra 100/AVC-Intra 50: 10 bit DVCPRO HD/DVCPRO50/DVCPRO/DV: 8 bit
Video Compression AVC-Intra100/AVC-Intra50: MPEG-4 AVC/H.264 Intra Profile DVCPRO HD: DV base compression (SMPTE 370M) DVCPRO 50/DVCPRO: DV base compression (SMPTE 314M) DV: DV compression (IEC 61834-2)
Digital Audio Specification Frequncy Response 20 Hz to 20 kHz ±1.0 dB (reference level)
Dynamic Range More than 85 dB (1 kHz, AWTD, 16 bit) More than 93 dB (1 kHz, AWTD, 24 bit)
Distortion: Within 0.1 % (1 kHz, reference level, 16 bit) 0.05 % (1 kHz, reference level, 24 bit)
Headroom 18/20 dB selectable
Video Input/Output GENLOCK IN BNC x 1, 1.0 V [p-p], 75 Ω (switchable to VIDEO IN or Return Video on menu)
SDI OUT BNC×1 HD SDI: 0.8 V [p-p], 75 Ω, SMPTE292M/299M standards SD SDI: 0.8 V [p-p], 75 Ω, SMPTE259M-C/272M-A/ ITUR. BT656-4 standards
MON OUT BNC×1 (switchable to HD SDI/SD SDI/Composite on menu) HD SDI: 0.8 V[p-p], 75 Ω SD SDI: 0.8 V[p-p], 75 Ω, SMPTE259M-C/272M-A/ ITUR. BT656-4 standards Composite: 1.0 V [p-p], 75 Ω
SDI IN BNC×1 (switchable for VIDEO IN/Return Video/ GENLOCK IN, on menu) HD SDI: 0.8 V[p-p], 75 Ω, SMPTE292M/299M standards SD SDI: 0.8 V[p-p], 75 Ω, SMPTE259M-C/272M-A/ ITUR. BT656-4 standards
Audio Input/Output AUDIO IN CH1/CH2: XLR 3 pin x 2, LINE/MIC/MIC + 48 V switchable LINE: 4 dBu (−3 dBu/0 dBu/4 dBu selectable on menu) MIC: −60 dBu (−60dBu/–50 dBu selectable on menu) MIC + 48 V: Phantom +48 V, −60 dBu (−60dBu/−50 dBu selectable on menu)
MIC IN XLR 5 pin x 1, Phantom +48 V (ON/OFF selectable on menu) −40 dBu (−50 dBu/−40 dBu selectable on menu)
WIRELESS IN 25 pin D-SUB, −40 dBu
AUDIO OUT CH1/CH2: XLR 5 pin x 1, balanced, low-impedance 4 dBu (−3 dBu/0 dBu/4 dBu selectable on menu)
PHONES OUT Stereo mini jack x 2 (3.5 cm diameter)
Speaker 2.8 cm round shape x 1
Other Input/Output TC IN BNC×1, 0.5 V [p-p] to 8 V [p-p], 10 kΩ
TC OUT BNC×1, low impedance, 2.0 V [p-p] ±0.5 V [p-p]
DC IN XLR 4 pin x 1, DC 12 V (DC 11 V–17 V)
DC OUT 4 pin, DC 12 V (DC 11 V–17 V), max 1.5 A
Lens 12 pin
Right Connector 2 pin, DC 12 V (DC 11 V–17 V) Output current: max. 4.5 A (to 50 W)
EVF 20 pin
REMOTE 10 pin for AJ-RC10G, AG-EC4G
GPS 6 pin for AJ-GPS910G
USB 2.0 HOST: 4-pin Type-A, DEVICE: 4-pin Type-B
Monitor 8.128 cm LCD monitor, approx. 921,000 dots (16:9)
Included Accessories Shoulder strap, Front audio volume knob (with screw), AUDIO connector cap, Mount cap, XLR connector cap, GPS connector cap, Software CD-ROM
NOTE * Time shown above is when you record a series of 1 shot to P2 card. Depending on numbers of shots you record, time will get shorter than the number shown above. Weight and dimensions shown are approximate. Specifications are subject to change without notice.

ARRI D 21

 ARRIFLEX D-21

Camera Type 35 format digital film style camera with an optical viewfinder
HD-SDI Connections 2x dual link HD-SDI out
Frame Rate HD Mode HD422 (16:9): 1-60 fps

HD Mode HD444 (16:9): 1-30 fps

Mscope™ HD422 (4:3): 1-25 fps

Data Mode ARRIRAW (16:9): 1-30 fps

Data Mode ARRIRAW (4:3): 1-25 fps

Frame rates other than the standard HD video frame rates of 23.976 PsF, 24 PsF, 25 PsF, 29.97 PsF, 30 PsF, 48 PsF, 50 PsF, 59.94 PsF and 60 PsF can be achieved with a recorder that can interpret the Variframe Flag.

All frame rates are crystal controlled and can be set with 0.001 fps precision. Exposure compensated speed ramps are supported by the electronic-mirror shutter.

Aperture 23.760 x 13.365 mm/0.9354″ x 0.5262″ in HD Mode

23.760 x 17.820 mm/0.9354″ x 0.7016″ max. in Data Mode & Mscope™

Signal Output HD Mode – HD-DSI (SMPTE 292M):
1920 x 1080 4:2:2 YCbCr 10 bit @ 23.976, 24, 25, 29.97, 30 PsFHM Mode – dual link HD-SDI (SMPTE 372M):
1920 x 1080 4:4:4 RGB 10 bit @ 23.976, 24,25, 29.97, 30 PsF
1920 x 1080 4:2:2 YCbCr 10 bit- 1920 x 1080 4:4:4 RGB 10 bit @ 23.976, 24,25, 29.97, 30 PsF @ 48, 50, 59.94, 60 PsF

Mscope™ – dual link HD-SDI (SMPTE 372M):
1920 x 1080 4:2:2 YCbCr 10 bit @ 23.976, 24, 25 PsF

Data Mode – ARRIRAW T-Link
(ARRIRAW transmission protocol mapped into RGBA dual link HD-SDI stream according to SMPTE 372M):
2880 x 2160 RAW 12 bit Bayer data @ 23.976p, 24p, 25p
2880 x 1620 RAW 12 bit Bayer data @ 29.97p, 30p

Weight (without lens) Body only: 8.6 kg/19.0 lbs

Body and viewfinder: 10.9 kg/24.0 lbs

Lens Mount 54 mm PL, centered for Super 35, with Lens Data System (LDS) contacts
Flange focal depth 52mm nominal
Display Camera display on left side with individual buttons for:
Camera RUN, PHASE (electronic inching & mirror rotation).
NORM-PS/CCU control, LOCK, MODE, SEL, and SET.
Video menu over composite video output for control of operational parameters:
Output mode, standard frame rates, white balance and color matrix, signal output range, contrast characteristic and sensitivity.
Shutter Spinning, electronically adjustable reflex mirror shutter.
Adjustable to 11.2°, 22.5°, 30°, 45°, 60°, 75°, 90°, 105°, 120°, 135°, 144°, 150° 172.8° and 180°.
Viewfinder Optical reflex viewfinder with interchangeable ground glass.
Spherical or universal (adjustable to spherical or anamorphic) viewfinders available. Viewfinders are adjustable in two axes with automatic or manual image compression, laterally extendable for left eye operation and show illuminated frame lines (ARRIGLOW, adjustable in brightness).
Optional medium or long finder extender including magnifier. Optional heated eyecup.
Video Assist SD monitoring (PAL/NTSC video downscaled from captured image) with composite video or S-Video outputs.
Recording HD recording devices supporting HD-SDI (SMPTE 292M) or dual link HD-SDI (SMPTE 372M) signals for HD Mode operation.
Optional on-board HD recording using solid state memory recorder Flash Mag.
Common Connections 2x composite video out (CVBS)
1x S-Video out (Y/C)
1x power in (BAT)
1x 12 V accessory power out (Fisher 11-pin)
1x 24 V accessory power out (RS)
1x lens data display (LD)
2x lens control system bus (LCS)
1x accessory interface (AC)
1x camera control unit (CCU), 1 each focus, iris, zoom for lens monitors
Power 24V DC (acceptable voltage range: 20.5 to 36 V DC)
Power Consumption 2.1 A @ 24 fps, 1.9 A in Standby
Sound less than 20 dB(A) @ 24 fps
Dimensions Length: 39 cm/15.35″
Width (viewfinder left): 27 cm/10.83″
Height with handle: 30 cm/11.81″
Height without handle: 23 cm/9.06″
Accessories Accepts the whole range of ARRI matte boxes (15 or 19mm rods), follow focus and ARRI electronic accessories, Lens Data System (LDS). Wireless Remote System (WRS), Wireless Remote Control WRC-2, Iris Control Unit for speed/iris ramps (ICU-1), Remote On/Off switch (RS-4), External Synchronization Unit (ESU-1).

Specficially for ARRIFLEX D-21/D-21 HD: Low mode support set for Steadycam operation or underslung use and top-mounting of accessories without bridge plate, Flash Mag Mounting Adapter (FMA-1), Fibre Unit and Fibre Remote for an optical link to the recorder.

Misc Extra attachment points for rigging.

ARRI ALEXA STUDIO

ALEXA Studio Technical Data

Camera Type 35 format film-style digital camera with optical viewfinder, rotating mirror shutter, integrated shoulder arch, built-in support for the ARRI Wireless Remote System (WRS), cmotion cvolution lens control system and ARRI Lens Data System (LDS).
Sensor 35 format ALEV III CMOS with Dual Gain Architecture (DGA) and Bayer pattern color filter array.
Photosites 16:9 sensor mode: 2880 x 1620 for ARRIRAW, 2880 x 1620 down sampled to 1920 x 1080 for HD video and ProRes 4:3 sensor mode: 2880 x 2160 for ARRIRAW, 2880 x 2160 down sampled to 1440 x 1080 (pillar box) for monitoring in EVF-1 and HD video (MON OUT only)
Operating Modes Mirror shutter on or off. Switching takes approximately 3 seconds through camera display.

16:9 or 4:3 sensor mode. Switching takes approximately 15 minutes (currently update to a different SUP necessary). 4:3 is currently only available for ARRIRAW; a pillar box format is used for 16:9 EVF-1 as well as HD-SDI MON OUT; ProRes or DNxHD recording is currently not supported.

Regular or High Speed mode. High Speed mode requires license purchase. Switching takes approximately 40 seconds. 4:3 High Speed mode currently limited to 16:9.

Filter Sealed behind-the-lens motorized filter mechanism provides optical flat or ND 1.3 (4.3 stops)
Frame Rate 16:9, mirror shutter off: 0.75 – 120 fps
16:9, mirror shutter on: 0.75 – 60 fps 
4:3, mirror shutter off or on: 0.75 – 48 fps
Frame rate setting precision: 1/1000 fps
Shutter Rotating mirror shutter (11.2º – 180.0º) or electronic rolling shutter (0.75 – 60 fps: 5.0º – 358.0º; 60 – 120 fps: 356º). Shutter angle setting precision: 1/10 degree. At some frame rates mirror shutter needs to be less than 180º.
Exposure Latitude 14 stops for all sensitivity settings from EI 160 to EI 3200, as measured with the ARRI Dynamic Range Test Chart (DRTC).
Exposure Index Values behind the exposure index are the number of stops above and below 18% grey. These values are for Log C. Rec 709 and DCI P3 are the same except for 0.5 stops fewer in the low end at EI 160, 0.4 stops fewer in the low end at EI 200 and 0.2 stops fewer in the low end at EI 400.
White Balance Separate white balance (red/blue) and color correction (green/magenta) adjustment through Auto or manual setting. Red/blue: 2000 to 11000 Kelvin, adjustable in 100 K steps, with presets of 3200 (tungsten), 4300 (fluorescent), 5600 (daylight) and 7000 (daylight cool). Green/magenta: -8 to +8 color correction (CC), 1 CC = 035 Kodak CC values or 1/8 Rosco values.
Sound Level Under 20 db(A) @ 24 fps, mirror shutter on and ≤ +30° Celsius (≤ +86° Fahrenheit) with lens attached and fan mode set to ‘Regular’, measured 1 m/3 feet in front of the lens. Silent operation at higher temperatures possible with fan mode set to ‘Rec low’.
Power In Three inputs: BAT connector, battery adapter back and battery adapter top. All accept 10.5 to 34 V DC. When running over 30 fps with mirror shutter on, voltage of 18V or more is recommended. 90 W power draw for camera and OVF-1 in typical use recording 24 fps to SxS PRO cards, mirror shutter on, without accessories.
Power Out 12V connector: limited to 12 V, up to 2.2A. RS, EXT and ETHERNET: input below 24V is regulated up to 24V, above 24V: input = output voltage. Both RS and EXT connectors combined: up to 2.2A. ETHERNET: up to 1.2A. Maximum power draw is also limited by the power source.
Weight ALEXA Studio camera body + SxS Module: 8.0 Kg/17.6 lb ALEXA Studio camera body + SxS Module + OVF-1 + Center Camera Handle CCH-1: 10.2 Kg/22.5 lb
Dimensions With OVF-1 and SxS Module: Length: 402 mm/15.83″, width: 268 mm/10.55”, height: 241 mm/9.49”
Dimensional drawings available at www.arri.com/alexa/downloads
Environmental -10° C to +45° C (+14° F to +113° F) @ 95% humidity max, non condensing. Splash and dust proof through sealed electronics. System cooling through radiator/single fan.
Lens Mount ARRI Exchangeable Lens Mount (ELM); ships with Lens Adapter PL Mount with LDS contacts, 54 mm stainless steel PL mount, Super 35 centered
Flange Focal Depth 52.00 mm nominal
Viewfinder Optical viewfinder OVF-1 shows a bright, high contrast image for through-the-lens viewing with low distortion, accurate color fidelity and no delay. Can be used camera left or right and the viewfinder arm telescopes closer/farther from the camera body. Automatically keeps an upright image in all positions with an optional override for manual image rotation. Includes a flip in ND 0.6 contrast filter and 2x de-squeeze module for 2x anamorphic lenses (a 1.3x de-squeeze module is also available for retrofit). Includes Basic Insert Module BIM-1 for RGB frameglow. Accepts 8x and 10x 435 eyepieces, 435 eyepiece extensions and heated eyecups. With the optional ARRICAM Eyepiece Adapter AEA-1, the OVF-1 can accept the 8x ARRICAM Studio eyepiece, ARRICAM Studio Viewfinder Extension Medium and ARRICAM Studio Viewfinder Zoom Extension. Not compatible with Lite Universal Eyepiece. Can be replaced with the ALEXA Electronic Viewfinder EVF-1 by using the Electronic Viewfinder Adapter EVA-1
Assistive Displays For EVF-1 and MON OUT: frame lines, surround view, camera status, false color exposure check, peaking focus check, electronic level, compare stored image with live image, RETURN IN video and anamorphic de-squeeze. MON OUT only: Reel & clip number.

For OVF-1: Warning LEDs for REC (recording), BAT (battery low), FULL (SxS PRO card full). ALEXA Studio uses the same physical ground glass holder and frameglow frames as ARRICAMs, so ARRICAM ground glasses and frameglow masks could be used. However, the actual frameline dimensions are different, so for a precise alignment of framelines and captured pixels only ALEXA Studio ground glasses and frameglow masks are recommended.

Control Camera right: main user interface with a 3” transflective 400 x 240 pixel LCD color screen, illuminated buttons, button lock and jog wheel. Camera left: operator interface with illuminated buttons, button lock and card swap button.
In-camera Recording Records Apple QuickTime files with ProRes encoding onto either one or two (Dual Recording) SxS PRO cards in 16:9 mode only. All codecs legal range with embedded audio, timecode and metadata.

 

Codec: QuickTime/ProRes 4444
Compression (1): ‘5:1
Bit Rate in Mb/s at 30 fps: 330
Bit Depth: 12
Color Coding: 4:4:4 RGB
Recording time in hrs:min (2): ‘0:22
Application: High

Recording Outputs 2x 1.5 G or 3G REC OUT BNC connectors for ARRIRAW (4:3 or 16:9) or HD-SDI video (16:9 only). Both with embedded audio, timecode, metadata and optional recording flag. ARRIRAW 16:9: 2880 x 1620, 4:3: 2880 x 2160. Both uncompressed 12 bit log without white balance or exposure index processing applied. Requires an ARRIRAW T-Link certified recorder. HD-SDI video 16:9: uncompressed 1920 x 1080 4:4:4 RGB or 4:2:2 YCbCr; both legal or extended range. Recording frame rates other than HD standard (23.976, 24, 25, 29.97, 30, 50, 59.94, 60 fps) requires a recorder with Variflag support.
Monitor Output 2x MON OUT BNC connector for uncompressed 1.5G HD-SDI video (4:3 or 16:9): 1920 x 1080, 4:2:2 YCbCr; legal range.
Image Processing 16 bit linear internal image processing. Target color spaces for ProRes, REC OUT and MON OUT: Log C (film matrix off), Log C (film matrix on), Rec 709 or DCI P3. For Rec 709 and DCI P3 a customized look can be applied during record and playback with ARRI Look Files. Optional horizontal image mirroring.
Synchronization Master/Slave mode for precision sync of settings, sensor, processing, HD-SDI outputs and QuickTime/ProRes recording for 3D applications. Automated sync of lens settings for 3D applications in Master/Slave mode.
Playback QuickTime/ProRes clips can be played back from SxS PRO cards to the EVF-1, MON OUT and REC OUT. Playback audio is available embedded in the MON OUT and REC OUT signals and on the headphones jack.
Audio 1x XLR 5 pin AUDIO IN connector for 2 channel, line level balanced audio input, 24 bit/48 kHz A/D conversion, works at 23.976, 24, 25, 29.97 and 30 fps. Audio is recorded uncompressed into the QuickTime/ProRes files and embedded uncompressed in all HD-SDI outputs, including ARRIRAW T-Link. Max of 2.5 dBm output from AUDIO OUT headphones connector.
Connectors 2x slots for SxS PRO cards (SxS)
2x BNC recording out HD-SDI, 1.5G/3G (REC OUT 1/REC OUT 2)
2x BNC monitoring out HD-SDI, 1.5G (MON OUT)
1x XLR 5 pin audio in (AUDIO IN)
1x BNC return signal HD-SDI, 1.5G (RET/SYNC IN)
1x LEMO 16 pin external accessories (EXT)
1x Fischer 2 pin 24 V power in (BAT)
3x Fischer 3 pin 24 V remote start and accessory power out (RS)
1x LEMO 2 pin 12 V accessory power out (12 V)
1x LEMO 5 pin timecode in/out (TC)
1x TRS 3.5 mm headphone mini stereo jack out (AUDIO OUT)
1x LEMO custom 16 pin electronic viewfinder (EVF)
1x LEMO 10 pin Ethernet with 24 V power (ETHERNET)
2x Fischer 5 pin Lens Control System (LCS)
1x Fischer 5 pin Lens Data Display (LDD)
1x Fischer 12 pin for CLM-2, CLM-3 or later (IRIS)
1x Fischer 12 pin for CLM-2, CLM-3 or later (ZOOM)
1x Fischer 12 pin for CLM-2, CLM-3 or later (FOCUS)
SD Card For importing ARRI Look Files, camera set up files, frame line files, feature license keys and custom lens tables for the Lens Data Archive (LDA). Stores captured stills from the REC OUT image path in ARRIRAW (.ari, 12 bit), TIFF (.tif, 16 bit), DPX (.dpx, 10 bit) and JPEG (.jpg, 8 bit) format as well as logging files. Also used for software updates.
Upgrades The Storage Interface Module (currently available for SxS PRO cards) can be exchanged for future storage modules. The Electronics Interface Module can be exchanged for future control electronics. Exchangeable Lens Mount (ELM) allows other lenses beyond PL mount lenses to be used. Simple camera software updates. License keys included in purchase: Anamorphic De-squeeze and High Speed.
Note: All technical data based on Software Update Packet (SUP) 5.1 (16:9) and SUP 5.2 Open Beta (4:3). A SUP that makes switching between 16:9 and 4:3 and further features possible will be available in 2012.

ALEXA PLUS

ALEXA Plus Technical Data

Camera Type 35 format film-style digital camera with electronic viewfinder, integrated shoulder arch, built-in support for the ARRI Wireless Remote System (WRS), cmotion cvolution lens control system and ARRI Lens Data System (LDS).
Sensor 35 format ALEV III CMOS with Dual Gain Architecture (DGA) and Bayer pattern color filter array.
Photosites 2880 x 1620 for ARRIRAW, 2880 x 1620 down sampled to 1920 x 1080 for HD video and ProRes
Operating Modes Regular or High Speed mode. High Speed mode requires license purchase. Switching takes approximately 40 seconds.
Frame Rates ProRes 422 (Proxy), 422 (LT), 422 and 422 (HQ): 0.75 – 60 fps
ProRes 422 (Proxy), 422 (LT), 422 and 422 (HQ) with High Speed license: 0.75 – 120 fps
Prores 4444 with 32 GB SxS PRO cards: 0.75 – 40 fps
ProRes 4444 with 64 GB SxS PRO cards, SUP 5.0 or later: 0.75 – 60 fps
DNxHD 145 and 220x: 0.75 – 60 fps
DNxHD 145 and 220x with High Speed license: 0.75 – 120 fps
HD-SDI: 0.75 – 60 fps
ARRIRAW SUP 5.0 or later: 0.75 – 60 fpsAll speeds adjustable with 1/1000 fps precision
Shutter Electronic rolling shutter, 0.75 – 60 fps: 5.0º – 358.0º, 60 – 120 fps: 356º. Shutter angle setting precision: 1/10 degree.
Exposure Latitude 14 stops for all sensitivity settings from EI 160 to EI 3200, as measured with the ARRI Dynamic Range Test Chart (DRTC)
Exposure Index EI 160 (+5.0 / -9.0), EI 200 (+5.3 / -8.7), EI 400 (+6.3 / -7.7), EI 800 (+7.4 / -6.6), EI 1600 (+8.4 / -5.6), EI3200 (+9.4 / -4.6)
Values behind the exposure index are the number of stops above and below 18% grey. These values are for Log C. Rec 709 and DCI P3 are the same except for 0.5 stops fewer in the low end at EI 160, 0.4 stops fewer in the low end at EI 200 and 0.2 stops fewer in the low end at EI 400.
White Balance Separate white balance (red/blue) and color correction (green/magenta) adjustment through Auto or manual setting. Red/blue: 2000 to 11000 Kelvin, adjustable in 100 K steps, with presets of 3200 (tungsten), 4300 (fluorescent), 5600 (daylight) and 7000 (daylight cool). Green/magenta: -8 to +8 color correction (CC), 1 CC = 035 Kodak CC values or 1/8 Rosco values.
Sound Level Under 20 db(A) @ 24 fps and ≤ +30° Celsius (≤ +86° Fahrenheit) with lens attached and fan mode set to ‘Regular’, measured 1 m/3 feet in front of the lens. Silent operation at higher temperatures possible with fan mode set to ‘Rec low’.
Power In Three inputs: BAT connector, battery adapter back and battery adapter top. All accept 10.5 to 34 V DC. 85 W power draw for camera and EVF-1 in typical use recording 24 fps to SxS PRO cards, without accessories.
Power Out 12V connector: limited to 12 V, up to 2.2A. RS, EXT and ETHERNET: input below 24V is regulated up to 24V, above 24V: input = output voltage. Both RS and EXT connectors combined: up to 2.2A. ETHERNET: up to 1.2A. Maximum power draw is also limited by the power source.
Weight ALEXA Plus camera body + SxS Module: 7.0 Kg/15.4 lb ALEXA Plus camera body + SxS Module + EVF-1 + Viewfinder Mounting Bracket VMB-2 + viewfinder cable + Center Camera Handle CCH-1: 8.4 Kg/18.5 lb
Dimensions Length: 332 mm/12.95”, width: 175 mm/6.89”, height: 158 mm/6.22
Dimensional drawings available at www.arri.com/alexa/downloads”
Environmental -20° C to +45° C (-4° F to +113° F) @ 95% humidity max, non condensing. Splash and dust proof through sealed electronics. System cooling through radiator/single fan.
Lens Mount ARRI Exchangeable Lens Mount (ELM); ships with Lens Adapter PL Mount with LDS contacts, 54 mm stainless steel PL mount, Super 35 centered
Flange Focal Depth 52.00 mm nominal
Viewfinder Low latency (≤1 frame delay) electronic color viewfinder ARRI EVF-1 with 1280 x 784 F-LCOS micro display (image: 1280 x 720, status bars: 1280 x 32 above and 1280 x 32 below image) and ARRI LED illumination, both temperature controlled. Image can be flipped for use of viewfinder on camera left or right. Viewfinder Mounting Bracket allows movement of viewfinder forward/backwards, left/right, up/down, 360 degree rotation and placement on camera left or right. EVF-1 controls: viewfinder and basic camera settings, ZOOM button (2.25x pixel to pixel magnification), EXP button (false color exposure check) and jog wheel.
Assistive Displays For EVF-1 and MON OUT: frame lines, surround view, camera status, false color exposure check, peaking focus check, electronic level, compare stored image with live image, RETURN IN video and anamorphic de-squeeze. Anamorphic de-squeeze requires license purchase. MON OUT only: Reel & clip number.
Control Camera right: main user interface with 3” transflective 400 x 240 pixel LCD color screen, illuminated buttons, button lock and jog wheel. Camera left: operator interface with illuminated buttons, button lock and card swap button.
In-camera Recording Records Apple QuickTime/ProRes files or MXF/DNxHD files onto one or two (Dual Recording) SxS PRO cards. All codecs record legal range video with embedded audio, timecode and metadata.

 

Codec: QuickTime/ProRes 4444
Compression (1): ‘5:1
Bit Rate in Mb/s at 30 fps: 330
Bit Depth: 12
Color Coding: 4:4:4 RGB
Recording time in hrs:min (2): ‘0:22
Application: High

Recording Outputs 2x 1.5G or 3G REC OUT BNC connectors for ARRIRAW or HD-SDI video. Both with embedded audio, timecode, metadata and optional recording flag.

ARRIRAW: 2880 x 1620, uncompressed 12 bit log without white balance or exposure index processing applied. Requires an ARRIRAW T-Link certified recorder.

 

HD-SDI video: uncompressed 1920 x 1080 4:4:4 RGB or 4:2:2 YCbCr; both legal or extended range. Recording frame rates other than HD standard (23.976, 24, 25, 29.97, 30, 50, 59.94, 60 fps) requires a recorder with Variflag support.

Monitor Output 1x MON OUT BNC connector for uncompressed 1.5 G HD-SDI video: 1920 x 1080, 4:2:2 YCbCr; legal range.
Image Processing 16 bit linear internal image processing. Target color spaces for SxS, REC OUT and MON OUT: Log C (film matrix off), Log C (film matrix on), Rec 709 or DCI P3. For Rec 709 and DCI P3 a customized look can be applied during record and playback with ARRI Look Files. Optional horizontal image mirroring.
Synchronization Master/Slave mode for precision sync of settings, sensor, processing, HD-SDI outputs and SxS recording for 3D applications.
Playback QuickTime/ProRes and MXF/DNxHD clips can be played back from SxS PRO cards to the EVF-1, MON OUT and REC OUT. Playback audio is available embedded in the MON OUT and REC OUT signals and on the headphones jack.
Audio 1x XLR 5 pin AUDIO IN connector for 2 channel, line level balanced audio input, 24 bit/48 kHz A/D conversion, works at 23.976, 24, 25, 29.97 and 30 fps. Uncompressed audio is recorded into the QuickTime/ProRes file or MXF/DNxHD file and embedded in all HD-SDI outputs, including ARRIRAW T-Link. Max of 2.5 dBm output from AUDIO OUT headphones connector.
Connectors Slots for SxS PRO cards (SxS), Camera body
2x BNC recording out HD-SDI, 1.5G/3G (REC-OUT 1/2), Camera body
1x BNC monitoring out HD-SDI, 1.5G (MON OUT), Camera body
1x XLR 5 pin audio in (AUDIO IN), Camera body
1x BNC return signal HD-SDI, 1.5G (RET/SYNC IN), Camera body
1x LEMO 16 pin external accessories (EXT), Camera body
1x Fischer 2 pin 24 V power in (BAT), Camera body
2x Fischer 3 pin 24 V remote start and accessory power out (RS), Camera body
1x LEMO 2 pin 12 V accessory power out (12 V), Camera body
1x LEMO 5 pin timecode in/out (TC), Camera body
1x TRS 3.5 mm headphone mini stereo jack out (AUDIO OUT), Camera body
2x LEMO 10 pin Ethernet with 24 V power (ETHERNET), Camera body
1x LEMO SMPTE 304M hybrid fiber connector (Optical Link), Camera body
1x LEMO SMPTE 304M hybrid fiber connector (Optical Link), Camera head
1x LEMO custom 16 pin electronic viewfinder (EVF), Camera head
1x Fischer 2 pin 24 V power in (BAT), Camera head
2x Fischer 3 pin 24 V remote start and accessory power out (RS), Camera head
1x LEMO 10 pin Ethernet with 24 V power (ETHERNET), Camera head
SD Card For importing ARRI Look Files, camera set up files, frame line files, feature license keys and custom lens tables for the Lens Data Archive (LDA). Stores captured stills from the REC OUT image path in ARRIRAW (.ari, 12 bit), TIFF (.tif, 16 bit), DPX (.dpx, 10 bit) and JPEG (.jpg, 8 bit) format as well as logging files. Also used for software updates.
Upgrades The Storage Interface Module (currently available for SxS PRO cards) can be exchanged for future storage modules. The Electronics Interface Module (available as either regular ALEXA or ALEXA Plus versions) can be exchanged for future control electronics. Exchangeable Lens Mount (ELM) allows other lenses beyond PL mount lenses to be used. Simple camera software updates. Licenses available for purchase: Anamorphic De-squeeze, High Speed, DNxHD.

ARRI ALEXA M

ALEXA M Technical Data

Camera Type 35 format film-style digital camera with separate camera head and body.
Photosites 16:9 sensor mode:
2880 x 1620 for ARRIRAW, 2880 x 1620 down sampled to 1920 x 1080 for HD video, ProRes and DNxHD4:3 sensor mode:
2880 x 2160 for ARRIRAW, 2880 x 2160 down sampled to 1440 x 1080 (pillar box) for monitoring in EVF-1 and HD video (MON OUT only)
Operating Modes 16:9 or 4:3 sensor mode. 4:3 mode is currently only available for ARRIRAW. Regular (max. 60 fps) or High Speed mode (max. 120 fps).
Frame Rates 16:9 sensor mode:
ProRes 422 (Proxy), 422 (LT), 422 and 422 (HQ), DNxHD 145 and 220x: 0.75 – 120 fps; ProRes 4444: 0.75 – 60 fps; HD-SDI: 0.75 – 60 fps; ARRIRAW: 0.75 – 60 fps4:3 sensor mode:
ARRIRAW: 0.75 – 48 fps
Shutter Electronic rolling shutter, 0.75 – 60 fps: 5.0º – 358.0º, 60 – 120 fps: 356º. Shutter angle setting precision: 1/10 degree.
Exposure Latitude 14 stops for all sensitivity settings from EI 160 to EI 3200, as measured with the ARRI Dynamic Range Test Chart (DRTC)
Exposure Index Values behind the exposure index are the number of stops above and below 18% grey. These values are for Log C. Rec 709 and DCI P3 are the same except for 0.5 stops fewer in the low end at EI 160, 0.4 stops fewer in the low end at EI 200 and 0.2 stops fewer in the low end at EI 400.
White Balance Separate red/blue and green/magenta balance available through Auto White Balance or manual setting. Red/blue: 2000 to 11000 Kelvin, adjustable in 100 K steps, with presets of 3200 (tungsten), 4300 (fluorescent), 5600 (daylight), 7000 (daylight cool). Green/magenta: -8 to +8 color correction (CC), 1 CC = 035 Kodak CC values or 1/8 Rosco values.
Sound Level Under 20 db(A) @ 24 fps and ≤ +30° Celsius (≤ +86° Fahrenheit) with lens attached, measured 1 m/3 feet in front of the lens.
Power In Three inputs at the camera body: BAT connector, battery adapter back and battery adapter top. All accept 10.5 to 34 V DC. 85 W power draw for body in typical use recording to SxS PRO cards, without accessories. 40W power draw for head in typical use without accessories. A 24 V power input to the body is required to power the camera head from the body through a standard SMPTE 311M hybrid fiber cable up to 50 meters, without accessories. The camera head has one 10.5 to 34 V DC power input that can be used to power the head independently from the camera body.
Power Out Several outputs at the camera body: 12 V connector: limited to 12 V, up to 2.2 A. RS, EXT and ETHERNET: input below 24 V is regulated up to 24 V, above 24 V: input = output voltage. Both RS and EXT connectors combined: up to 2.2 A. ETHERNET: up to 1.2 A. Maximum power draw is also limited by the power source. The camera head offers two RS connectors and one ETHERNET connector, with the same specifics as on the camera body.
Weight ALEXA camera body + SxS Module: 5.5 kg/12.1 lbs; ALEXA camera head: 2.9 kg/6.4 lbs
Dimensions Body: Length: 323mm, width: 153mm, height: 158mm; Head: Length: 212mm, width: 129mm, height: 149mm.
Dimensional drawings available at www.arri.com/alexa/downloads
Environmental -20° C to +45° C (-4° F to +113° F) @ 95% humidity max, non condensing. Splash and dust proof through sealed electronics. System cooling through radiator/single fan on camera head and body.
Lens Mount ARRI Exchangeable Lens Mount (ELM); ships with Lens Adapter PL Mount with LDS contacts, 54 mm stainless steel PL mount, Super 35 centered.
Flange Focal Depth 52.00 mm nominal
Viewfinder (optional) Low latency (≤1 frame delay) electronic color viewfinder ARRI EVF-1 with 1280 x 784 F-LCOS micro display (image: 1280 x 720, status bars: 1280 x 32 above and 1280 x 32 below image) and ARRI LED illumination, both temperature controlled. Image can be flipped for use of viewfinder on camera left or right. Viewfinder Mounting Bracket allows movement of viewfinder forward/backwards, left/right, up/down, 360 degree-rotation and placement on camera left or right. EVF-1 controls: viewfinder and basic camera settings, ZOOM button (2.25x pixel to pixel magnification), EXP button (false color exposure check) and jog wheel.
Assistive Displays For EVF-1 and MON OUT: frame lines, surround view, camera status, false color exposure check, peaking focus check, compare stored image with live image, RETURN IN video and anamorphic de-squeeze. MON OUT only: Reel & clip number.
Control Camera body right: main user interface with 3” transflective 400 x 240 pixel LCD color screen, illuminated buttons, button lock and jog wheel. Camera head back: REC button and POWER button (POWER button is active when head is run by local power supply through the head’s BAT input).
In-camera Recording Records Apple QuickTime files with ProRes encoding or MXF files with DNxHD encoding onto either one or two (Dual Recording) SxS PRO cards. All codecs legal range with embedded audio, timecode and metadata.
Recording Outputs 2x 1.5 G or 3G REC OUT BNC connectors on the camera body for ARRIRAW T-Link or HD-SDI video. Both with embedded audio, timecode, metadata and optional recording flag.
ARRIRAW 2880 x 1620 (16:9), 2880 x 2160 (4:3) uncompressed 12 bit log without white balance or exposure index processing applied. Requires an ARRIRAW T-Link certified recorder.
HD-SDI video: uncompressed 1920 x 1080 (16:9) 4:4:4 RGB or 4:2:2 YCbCr; both legal or extended range. Recording frame rates other than HD standard (23.976, 24, 25, 29.97, 30, 50, 59.94, 60 fps) requires a recorder with Variflag support.
Monitor Output 1x MON OUT BNC connector on the camera body for uncompressed 1.5G HD-SDI video: 1920 x 1080 (16:9), 4:2:2 YCbCr legal range.
Image Processing 16 bit linear internal image processing. Target color spaces for all ProRes codecs, DNxHD 220x, REC OUT and MON OUT: Log C (film matrix off), Log C (film matrix on), Rec 709 or DCI P3. Target color spaces for DNxHD 145: Rec 709 or DCI P3. For Rec 709 and DCI P3 a customized look can be applied during record and playback with ARRI Look Files. Optional horizontal image mirroring.
Synchronization Master/Slave mode for precision sync of settings, sensor, processing, HD-SDI outputs and QuickTime/ProRes or MXF/DNxHD recording for 3D applications.
Playback QuickTime/ProRes or MXF/DNxHD clips can be played back from SxS PRO cards to the EVF-1, MON OUT and REC OUT. Playback audio is available embedded in the MON OUT and REC OUT signals and on the headphones jack.
Audio 1x XLR 5 pin AUDIO IN connector for 2 channel, line level balanced audio input, 24 bit/48 kHz A/D conversion, works at 23.976, 24, 25, 29.97 and 30 fps. Audio is recorded uncompressed into the QuickTime/ProRes or MXF/DNxHD files and embedded uncompressed in all HD-SDI outputs, including ARRIRAW T-Link. Max of 2.5 dBm output from AUDIO OUT headphones connector.
Connectors Slots for SxS PRO cards (SxS), Camera body
2x BNC recording out HD-SDI, 1.5G/3G (REC-OUT 1/2), Camera body
1x BNC monitoring out HD-SDI, 1.5G (MON OUT), Camera body
1x XLR 5 pin audio in (AUDIO IN), Camera body
1x BNC return signal HD-SDI, 1.5G (RET/SYNC IN), Camera body
1x LEMO 16 pin external accessories (EXT), Camera body
1x Fischer 2 pin 24 V power in (BAT), Camera body
2x Fischer 3 pin 24 V remote start and accessory power out (RS), Camera body
1x LEMO 2 pin 12 V accessory power out (12 V), Camera body
1x LEMO 5 pin timecode in/out (TC), Camera body
1x TRS 3.5 mm headphone mini stereo jack out (AUDIO OUT), Camera body
2x LEMO 10 pin Ethernet with 24 V power (ETHERNET), Camera body
1x LEMO SMPTE 304M hybrid fiber connector (Optical Link), Camera body
1x LEMO SMPTE 304M hybrid fiber connector (Optical Link), Camera head
1x LEMO custom 16 pin electronic viewfinder (EVF), Camera head
1x Fischer 2 pin 24 V power in (BAT), Camera head
2x Fischer 3 pin 24 V remote start and accessory power out (RS), Camera head
1x LEMO 10 pin Ethernet with 24 V power (ETHERNET), Camera head
SD Card For importing ARRI Look Files, camera set up files, frame line files and feature license keys. Stores captured stills from the REC OUT image path during Regular Speed (not High Speed) in ARRIRAW (.ari, 12 bit), TIFF (.tif, 16 bit), DPX (.dpx, 10 bit) and JPEG (.jpg, 8 bit) format as well as log files. Also used for software updates.
Upgrades The Storage Interface Module (currently available for SxS PRO cards) can be exchanged for future storage modules. The Electronics Interface Module can be exchanged for future control electronics. Exchangeable Lens Mount (ELM) allows other lenses beyond PL mount lenses to be used. Simple camera software updates.

RED ONE MYSTERIUM-X

SENSOR 14 MEGAPIXEL MYSTERIUM-X™
PIXEL ARRAY 5120 (h) x 2700 (v)
S/N RATIO 66db
DYNAMIC RANGE 13+ stops
MAX IMAGE AREA 4480 (h) x 2304 (v)
LENS COVERAGE 24.2mm (h) x 12.5mm (v) x 27.3 mm (d)
DEPTH OF FIELD Equivalent to S35mm (Motion) lens
Equivalent to 16mm (Motion) lens in 2K RAW
ACQUISITION FORMATS 4.5K RAW (2.4:1)
4K RAW (16:9, HD, 2:1, and Anamorphic 2:1)
3K RAW (16:9, 2:1, and Anamorphic 2:1)
2K RAW (16:9, 2:1, and Anamorphic 2:1)
PROJECT FRAME RATES 23.98, 24, 25, 29.97 fps @ 4.5K, 4K
plus 50, 59.94fps @ 3K, 2K
DELIVERY FORMATS * 4K : DPX, TIFF, OpenEXR (RED RAY via optional encoder)
2K : DPX, TIFF, OpenEXR (RED RAY via optional encoder)
1080p RGB or 4:2:2, 720p 4:2:2 : Quicktime, JPEG
Avid AAF, MXF. 1080p 4.2.0, 720p 4:2:0 : H.264, .MP4
MONITOR OUTPUTS HD-SDI and HDMI with Frame Guides and Look Around
720p RGB or 4:2:2
SMPTE Timecode, HANC Metadata, 24-bit 48Khz Audio
DIGITAL MEDIA REDFLASH (CF) Module : (16GB Media)
RED SSD™ (64GB, 128GB, 256GB Capacity)
REDCODE™ 12-bit RAW : RC28, 36, 42 Quality Levels
1-30 fps 4.5K, 4K
1-60 fps 3K
1-120 fps 2K
AUDIO 4 channel, uncompressed, 24 bit, 48KHz.
MONITORING OPTIONS RED LCD 5″ Flat Panel Display
RED PRO LCD 7″ Flat Panel Display
BOMB EVF™ High Definition Viewfinder
REMOTE CONTROL USB-2, GPI Trigger
WEIGHT 10lbs. Body
CONSTRUCTION Aluminum Alloy
TEMPERATURE RANGES Operating Range: 0˚C to +40˚C (32˚F to 104˚F)
Storage Range: -20˚C to +50˚C (-4˚F to 122˚F)

İLETİŞİM

ETİLER:
Cebeci Caddesi No: 62 34335 Akatlar - Etiler İstanbul / Turkey
Telefon:
+90 212 352 24 30
Fax:
+90 212 352 25 55
E-mail:
info@mtnfilm.com

Metin Nayır
metin@mtnfilm.com

ESENLER:
Giyimkent , 7. Sok. No:23-25 34235 oruçreis / Esenler İstanbul / Turkey
Telefon:
+90 212 438 16 30
GSM:
+90 533 372 63 93
E-mail:
İbrahim Güler
ibrahim@mtnfilm.com
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